On my reading list for this fall is a book entitled, Oranges by John McPhee. The syllabus says "an excerpt", but I requested the entire book from the library, so I'm reading all of it, and loving it.
Though my mind sometimes gets boggled by the word "orange" written over 30 times on one page, I am compelled by the fruit these days.
Much of the book was printed in The New Yorker, but since I haven't read the the archives of that beloved publication this was all, strangely, new--old material.
I suppose, while reading, that my professor will ask the class to pull stylistic elements of the piece, rather than just content. And, in the stylistic realm, I was a bit overwhelmed by the first chapter, as the author intended.
Oranges, McPhee seems to say, are not simple fruits that just show up in the grocery store; they should not be imitated or concentrated; they should be revered and protected all around the world as a food resource, political and social force and, surprisingly enough, a cleaning agent.
Of course, I am paraphrasing, but McPhee's statements range similarly in one paragraph. It's all too much to take in, and then I finally reached the first chapter's end.
I've started the second chapter and it seems a bit more cohesive, but the chapter's title, "Orange Men" doesn't really fit yet. Perhaps as I read, the orange men will emerge and I will find the link. The author begins with an anecdote about his undergrad life. Maybe he is saying that his is, and always will be, an "orange man" himself. The piece seems to find itself as it goes along, rather than be itself from the very beginning. I'm sure that is some kind of fancy schmancy journalistic term that I learned and have forgotten or will learn and then forget, but I like it, nevertheless. That's the kind of technique I want to work on: long form journalism with undercurrents of exploration for the reader through the writer's guiding hand.
Oranges has me guessing. I never would have thought that a fruit could be such enriching material.
Pardon...that was awful, wasn't it? ;)
For my book in-progress.
1.A kitchen worker chops off an old person's finger (or vice-versa).
2.An elderly woman stands up in the middle of an activity session and sings Aretha.
3.Two elderly people get caught having sex in an examination room.
4.Rules are heaped upon rules and the elderly stage a revolt.
5.The garden club ladies plant, grow and harvest the largest red tomato in the state.
6.A man gets locked in a closet, by whom no one is certain--the caregivers blame it on him.
7.An elderly man gets caught growing a marijuana garden for cancer patients in the home.
8.The elderly take a computer class.
9.The residents of the home find their personal files.
10.The main characters sneak out, get drunk and then try to sneak back into the home.
Yeah. I kind of like some of these ideas...
After years of reading lists, I've suddenly shifted to watching lists. I recently perused the syllabi for two of my classes for the fall semester at NYU, and it seems I'll be watching more than reading, as I probably should...in a news and documentary program.
The list is long and spans from mainstream films like Shattered Glass and Veronica Guerin to relatively unknown documentaries like Marcia Rock's McSorley's New York and Natural History of the Chicken.
I can't wait to get started. The libraries in Pa. have many of the titles, so I'm going to abuse the system that is Inter-Library Loan and get a head start.
And don't worry, my literary friends, I'm not going over to the dark side completely. Two Pulitzer winners lie in wait on my bedside table, clamoring for a good read.
Though it has been a while since the event, it is still very blog worthy. On Thursday, September 14, I attended the Pennsylvania Governor's Conference for Women at the David L. Lawrence Convention Center in Pittsburgh.
In the wee morning hours, we loaded onto buses and put on our volunteer shirts. (Some put their shirts on while riding the bus--an interesting co-ed experience I'm sure, but I didn't see anything--I was riding in the front).
After a short orientation, we received our volunteer badges and were sent to our duties. I was a human arrow. I really didn't know which way was which, but I had a marvelous time acting like I did.
The day was not all volunteer direction, however. I attended most of the presentations, and attended two "breakout" sessions with a panel of speakers.
I particularly enjoyed the morning panel with Ann Crittenden, entitled "Striving for a Life of Balance". The insightful responses from women who are obviously successful as mothers, wives and business people (usually in that order), was encouraging for me.
As I get closer to graduation, I'm realizing that a life of balance is something to be striven for, not necessarily attained to perfection. Perhaps the most valuable thing I took away from that session is the importance of having a set of standards that cannot change, no matter the position, the place or the time in your life. Some of these standards are, for example, that one will not compromise a pregnancy leave, taking time off once a year for vacation, or Sundays off for church.
This really spoke to me because I sometimes get caught up in work. I enjoy work and I enjoy time with friends at work, but I also enjoy time with family and friends outside of a work setting, and sometimes that gets the backseat, for example, during Setonian productions, when I have a freelance article due or I am working with a client on her logo. Time is fluid when I am working, and I admit I have in the past put work ahead of the priorities like family and friends that should mean more to me.
Amid the mass of over 5,000 women who attended the conference, I didn't feel oddly or beneath them; I saw myself as one of them. E-Magnify was the propelling force behind my prescence at the conference. I was invited to not only volunteer, but to network as an equal.
I appreciated the opportunity, not only to be there, but to pass out my resume at the various booths at center. I was an entrepreneur--of myself. This isn't the first time, however, I've worked experienced entrepreneurial intiative.
en‧tre‧pre‧neur /ˌɑntrəprəˈnɜr, -ˈnʊr; Fr. ɑ̃trəprəˈnœr/ Pronunciation Key - Show Spelled Pronunciation[ahn-truh-pruh-nur, -noor; Fr. ahn-truh-pruh-nœr] Pronunciation Key - Show IPA Pronunciation noun, plural -neurs /-ˈnɜrz, -ˈnʊrz; Fr. -ˈnœr/ Pronunciation Key - Show Spelled Pronunciation[-nurz, -noorz; Fr. -nœr] Pronunciation Key - Show IPA Pronunciation, verb –noun 1. a person who organizes and manages any enterprise, esp. a business, usually with considerable initiative and risk.
When I sit in a meeting with the Setonian staff of over 50 people and they are all looking at me for direction; I am an entrepreneur. When discussing website design with a board of directors and create signage, brochures and present to small children at the Mount Pleasant Library; I am an entrepreneur. When I put my heart on paper and solicit my work to Eye Contact; I am an entrepreneur. When I write on my blog in what spare time I have, risking my reputation; I am an entrepreneur.
An entrepreneur in my book isn't someone who goes with the flow. This person has an attitude that reaches out and demands change, pushing the boundaries of the norm. I think I am an entrepreneur. I think being a student at Seton Hill demands this, and the profession(s) I have selected also require the same spirit.
Though risks of corrections in the newspaper, rounds with a board that pays my way through school and possibly screwing up children, criticism, and the possibility of even losing my job because of my blog, are all real, I am not dwelling on the risks--only the possibility that I can make a difference in my school, my hometown, my church, my loved ones, and the world through my actions for Good.
Someone once told me that anything worth doing has risks and a price. That is the heart of the entrepreneurial spirit. And as I step out into the world, I see that I have already risked much, begun paying my dues, and gained so much more than I deserve. I am an equal of those women at the conference. We are all just trying to make our way.
Oh, and a little p.s., not many men were there, and the ones who were, were either looking for a restroom (because most men's rooms had been turned into female restrooms), or putting up arrangements for the conference. Alternative universe, no?
There are at least four helicopters circling around my town. Since my bed is up against my window panes, the first thing I heard when I opened my eyes was the scary sweep of an aircraft unnaturally close to my head. I really don't know why they are there, but I made some quick and groggy connections.
Oliver Stone's World Trade Center film is coming out today, and after a mad dash to my computer for information on what was happening in the world, I discovered the foiled plot to blow up Britain. America's odd color-code system has been raised to its highest level ever.
I have no idea what the helicopters mean outside my window, but what I did and my train of thought speak of a new consciousness of terror in the United States--that maybe American minds are connected to world political events not only through a gas pump.
Last night I had the pleasure of watching Larry King Live without Ann Coulter. They were talking about her. Talking about her without her there to flick her long blond locks and to interrupt the host after he or she delivered the first three words of a sentence.
It was great.
In recent weeks, I've followed the media circus around Ann Coulter's new book, Godless: The Church of Liberalism. The main beef with the book is that she calls widows of 9-11 derogatory names like harpies and rails against the use of their misfortunes for political clout. I really don't have much to say about claims for or against the claim, uness you read into the things I've already written, but I do want to agree with one host's assertion that she is the right's Michael Moore.
I don't think I've ever seen so much publicity mongering in my life, that is, except for Branjolina's escape to Nimibia. She has made the rounds on practically every network. The television audience can't escape her mane-flicking clutches.
And the most ironic thing that everyone knows she has profit written all over her. The networks get the ratings, she gets more readers, and writing this blog, I'll probably get a spike in my counter because of Coulter name-searchers hitting this page. I expect negative feedback, and especially some four-letter words from either side, but that's the fun of it, right?
She's a golden calf that we all like to see and worship until the media commandments, namely no. 1: move on to a newer, fresher story, will deliver us from the Coulter insanity that has once more claimed the airwaves.
My trusty brown suit and I took a turn this morning. The shoes with hidden scuffs, the hair curled just so (not Farrah Fawcett-esque) and the sedate, yet feminine necklace, went along for the interview ride.
Each newspaper office I've entered seems to have one little room where they grill interviewees for knowing their stuff. It usually has a desk with profuse amounts of paper on it and a computer. In the office I was taken today, however, the desk was covered, but the computer-- the damn Mac--had a mesmerizing pink and blue screensaver that made my eyes stray more than once toward its swirls of color. Damn it, I thought. A Mac was going to ruin my chances of getting a job at the Daily Courier for summer freelancing. Ah, well, maybe not.
I was confident this time around. I talked about software programs like Quark and Lotus Notes without the ums and ahs in my past experience. I didn't gloss over my inability. I could firmly establish that I understood what features and news stories are. Between the anecdotes about my experience at the Trib and my work on the Setonian, I handed each of my two interviewers copies of my resumee and clips of my work. SCORE!
They said they wanted me as soon as I finished with finals. Good to hear.
Funny thing, when they start handing over tax forms and contracts, you know you're in.
FYI: One of the contracts I signed was that my work could be syndicated and published online without multiple payments. Tricky, tricky freelances of yesteryear. Good paper for covering their arses.
As for this freelancer deluxe (haha), I read through it the whole way, a la the instructions by Arnzen in my "Publications Workshop" course.
The newspaper has a lower circulation than the Trib does, but it serves a wide readership of all of Fayette County, and parts of Westmoreland and Somerset counties. I would be working in the daily news sections and the Fay-West Sunday sections. And I'll get clips for my lovely lil portfolio. Clips! Clips! Clips! What a fledgling journalist won't do for those thin pieces of wood pulp.
While I was disconcerted that this summer I will not be interning at the Trib, I understood why. The sad fact is that they could only take two interns this year, and, having already done the internship last summer, I suppose I was pushed to the bottom of the pile. No bitterness. I'm just happy that I got my internship when I did.
I think I want to do this, too. Freelancing is a different kind of writing reality; it isn't solid. I think it will teach me a little more about the sacrifices that some writers experience. Get my sea(writer's?) legs, or something. See how far I can push myself to write every day for my proverbial bread and butter.
I also want to submit my fiction work to some publications and see where that goes. Dun dun DUN! I already have a place to put my rejection slips...and a frame for my most recent acceptance letter.
I'm really happy that I took on an incredible amount of credits during the past three years at SHU. During the next year, I want to chill a bit, try to focus my voice, network with various publications and look into grad schools.
WHOA! Grad school?! Yeah, I've been thinking about it and I'm thinking that this is a good step and a good direction for me. Though journalists don't necessarily need a master's degree, or a doctorate for that matter, I think I need it. I think this is something I would regret not doing down the road in my life. I think I can do it...I just don't know where or in what field of study... Oh sheesh! What would I think about someone who just has a vague idea and some pipe dream? I think my jaded self would scoff, but this other side of me--this still-a-dreamer side of me that I thought had gone to pot in the past year or so--says, "Live it, Amanda. One life to live and all that."
Funny. But true. Since I became the editor-in-chief of the Setonian this semester, people having been approaching me. Approaching me about what? you so respectfully inquire.
Lots of things. Several of these "things" end up in the paper. I get tips. People rant to me. People cry to me. People yell at me. People chase me down and ask me questions. I love it.
I love feeling like I am a part of something bigger than myself and more real than the essays that I'm writing or the world I'm creating in my fiction. It's a great feeling being connected to a world of non-fiction. People and their lives and SHU. I don't really know how to describe it, but I know I am working with a great crew who really makes an impact on this imposing Hill.
I can't think of a good comparison for criticizing other's work. Sometimes the experience is easy because you know what needs fixed, others it is kind of messy because you are afraid you are stepping on someone's creative toes, and others, well, it downright sucks because you aren't really sure if you are missing some valuable component of the story, which could result in personal embarrassment. The embarassment is suposed to be for the person being critiqued, right? Right? :-D
Now, with a short story for Publication Workshop in hand, I reflect on these possible outcomes of critiquing, and in particular, your peers' work. It doesn't really matter if you critique someone dead or across an ocean or somewhere far away that doesn't have Internet access (ha!ha!). When that person is someone you know and interact with on a daily basis, that critique can go, I've discovered, two, no, maybe three ways.
1. They take the criticism and run with it, trying new things and fixing up the negative aspects that you found, and enjoying your comments about the positive work they've shown.
2. The crap can hit the fan, and the person will take it badly, believing that they are, in your eyes, worthless writers bent on the destruction of the literary world, and you are the only person who has ever told them so--damn you. Simply put, they believe that the person is bad, not the product.
When I critique, I rarely ever find everything all bad. A real writer, and editor, for that matter, can work with practically anything.
3. The critique gets through and changes are made, but the writer doubts their ability for a while. (I often fall into this category.) With so many people that will look over my work, I will probably doubt my abilities often, but I'm reminded that I am in a place to be critiqued. Not everyone gets feedback from writers with similar abilities. It's great to be critiqued, really. It helps you in the long run. It helps you in the long run. I should keep telling myself that...It isn't pretty when the crap hits the fan anyway.
It's funny. This book I'm reading for Media Lab has an introduction and says some pretty profound things about the craft of journalism, and I was completely disinterested. Shouldn't I really care? Shouldn't I worry about this kind of thing? Maybe not. I skimmed sections I knew were probably profound, but it all seemed like superficial, hyperintense puff-up-my-book action. I'm not feeling too badly about it.
I guess I just wanted to get to the part where George Orwell steps in and starts describing his real experience as a writer. I think I've had a little too much theory. It was time for Georgie to step in with the facts of life.
It's a strange thing, reading a writer's work while he is working, but now he is dead and you know what lay ahead in his life. By the time he wrote "Why I Write", he's reached some celebrity, but he isn't jaded or pompous like the book's introduction. He is real to the point of describing writing a book as a "horrible, exhausting struggle, like a long bout of asome painful illness".
I feel that, but it is something that I can't live happily without. I guess the feeling is infectious among writers: he writes, "So long as I remain alive and well I shall continue to feel strongly about prose style...and to take pleasure in solid objects and scraps of useless information."
I think that last part of that quote really speaks. Writers take useless things, particularly dog and pony shows, in the journalist's experience, and make them work for a purpose. Quite unlike any other field. When I was chatting with a Trib reporter, he said he couldn't do any other business. I asked why. He said that journalists really do something different from any other profession and the skills do not usually translate to something "related" like PR. I'm starting to understand that. I'm already having difficulty with turning my journalistic mind over to fiction in my creative writing classes. It's real work to let go of certain beautiful things like "she said" or "Margaret Green, director of the Office of Public Information". Oh well, I'm learning versatility. It's going to make me think creatively...I need that.
One thing Orwell said in this piece is still making me think: "I have not written a novel for seven years, but I hope to write another fairly soon. It is bound to be a failure, every book is a failure." In truth, he is right. Books, writing, even articles for the journalist, are taken apart, savored occasionally, and inevitably thrown into the gutter to be, if it is "lucky", picked up for another round of picking and second-hand savoring. Like some pizza that is never fully eaten, just spat back out and retasted.
Okay, maybe I am being dramatic.
For me, the reason I write is to quench this nagging thirst. I agree that writing is an "exhausting struggle", but it is not always horrible. At times, writing can be like having your foot reset or a having papercuts all over your fingers, but not always. It can feel like you're standing at the top of the world and you see everything for a moment or you've just crossed the English Channel in less than 2 hours, breaking the world swimming record. Whatever the feeling, the memory of the passion writers expend on a certain work will always stay with them. These memories, in my experience, have helped me through the struggle and succeed on subsequent tries.
Orwell looks at writers as driven by a demon. I like the muse. Writing is unlike anything else, but the same ideas of positive outlook should apply. I don't think I'll ever drink to find my muse. I don't think I'll ever need a person to be my muse. My muse is illusive, but I always find it before the deadline.
As for why I write, I guess it is my "thing". I didn't collect stamps, though I tried. (The pretty stamps were all too expensive for my six-year old budget.) I wrote. I like stationery and I liked creating things. I wrote a book once about a pony who broke out of her stall and tried to find the wild. I even illustrated it. I reported the news weekly as Sally Wiggin with my sister on my church's altar (funny story). Until eleventh grade, I didn't know what I wanted to do, but looking back, that's exactly what I was supposed to do. Simply, writing is a good fit.
All the other things associated with being successful in the field, including the role of journalists as watchdogs, though important, I often skim. They cause worry and detract from my performance. A writer doesn't need that immense responsibility, in addition to creating a great article. I just know they're there in some drear bubble, and they sometimes intrude, but the tangibles, like Orwell said, are what writers should grasp most tightly in seeking coherent idea expression. The daily to-do lists are enough for now. I'll eventually look back and really read--with notes in the margins.
When I initially heard about the "new" debate over using "Happy Holidays" instead of "Merry Christmas" in businesses, my mind was split.
Happy Holidays is a non-specific greeting that can relate to anyone in any religious tradition.
However, living in America, where the predominant tradition is Christian, this was bound to tick a few people off.
From the article:
"We see this as just another attempt to remove our Judeo-Christian heritage," Gammons said. "Our country was founded by Christian people who came and built the nation on Christian principles."
Um, can I also point out that this is also what our nation is founded upon:
Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.
I am stepping out on a limb in saying that this practice is (at least ideally) a 1) smart thing for businesses to do and 2)a progressive step in realizing that not only Christians live in America. And, gosh darn it, all Americans, despite their religious affiliations want to buy cheap, foreign labor-made goods, but that's another thing altogether.
The other side of my mind was saying, "Amanda, you are a Christian, don't you want to see 'Merry Christmas' instead of 'Happy Holidays' everywhere? This is your faith. Why are you betraying it?"
And to that thought, I responded that I would not like to see Merry Christmas everywhere if I am alienating others from celebrating a season that all can enjoy. I am not betraying Christmas by including others, and isn't that one of the tenets of Christ's teachings to bring all together under one banner? The big problem, however, is that it is going against Christ's banner.
It seems as if this season isn't about making particular claims about particular faiths (although each does); it is about finding light amid an ever-encroaching darkness, both literally and figuratively. Many faiths do this (unless the faith is to celebrate darkness), shouldn't we celebrate this relative commonality, rather than douse icy water on it?
As for the money-making end of this matter, Merry Christmas or Happy Holidays, there is much at stake here. The retailing audience is everyone, and as much as Americans want to believe it, we are not the homogeneous mass, as seen in our own small environments.
As for me, it is Merry Christmas in my heart, and to everyone I meet. It is still a Christmas tree, and Christ still lives in this season for me, but I am willing to see the other side and the benefits of acknowledging everyone's understanding as tolerable--at least.
My faith is exclusivist, and I've been dealing with the nature of my religious understanding for years now. I still haven't made many concrete decisions; however, it is times like this and in issues like this, that our colors show. My banner is a bright red and green at the moment, with a few unfinished seams.
Merry Christmas. Happy Holidays. Stoke up a fire and stay warm. Love someone, find your light and live it. The titles should not matter.
As Anna Marie Desmond in the Culture Wars drama, I acted. As a student in the class, I discovered America from a completely different perspective than any history book I've ever picked up.
We researched different views, various eras and political and social leaders. It was the most non-traditional course ever, but I learned so much.
The course was designed to show the stratification of upper-class and lower-class and every other factor that defines and separates America today. Throughout the course, we picked up the suicide of Hunter S. Thompson for debate. Did he kill himself because he was depressed about the state of his life and America and what it is becoming, or was he possibly murdered?
Our creation, a radio drama depicting his court case, attempts to fictionally answer that question.
The radio drama, which was produced live on Monday, is now available for easy media player listening here. I am Anna Desmond, a friend of the defendant, and the defense lawyer's voice.
I wrote the testimony for Anna. I loved performing it.
The Setonian covered the webcast. It was difficult to find a reporter for the webcast story and people to be interviewed because over half the class was Setonian staff.
Anyway, the production went amazingly well. I'm so proud of the class. This is a wonderful experience and a great thing to add to my portfolio. Woo hoo.
Today we had a milk and cookies (and popcorn ball? :-D) celebration to commemorate our kick ass-assination performance.
Dr. Klapak has aspirations for radio drama performances at least once a week next semester. Count me in!
Read on for Ashley Welker's pics of the broadcast.

Pre-broadcast. I don't think Stephan had breakfast.

Katie Aikins is getting "into it". Should I remind her that this is radio?

I sat next to -the- Hunter S. Thompson...I mean S. Puff.
What an experience! Maybe newspapers aren't the end of my media horizons.
From Newsweek's "Disney internships draw students, criticism":
“None of them are paid properly,” Ed Chambers, president of United Food and Commercial Workers Union, Local 1625, said of the college interns. “They’re like indentured slaves ... They live on Disney property. They eat Disney food. They take Disney transportation.”
Seton Hill has permitted Disney to bring internship recruiters on campus several times, and I have friends that have participated in these internships. Their views are incredibly upbeat in comparison to this report's understanding.
I see both sides, and they both look a little dim. The students receive housing for a minimal fee and are paid to stay in a resort area. I see the perks...sort of.
It looks good, but it sounds like a Mickey Mouse Cult Club, with Donald holding the whip for first-time interns.
Disney is the great provider and the underlings serve and receive some minimal pay and the title of intern for something that may not even apply to their major or its requirements. And that is what gets me...it sounds a lot like a scam.
Even with quotes like this, the holes appear in their argument.
Joanna Gonzalez, a University of Florida graduate, said serving fast food in the Magic Kingdom helped her become quick on her feet and overcome shyness.“We’re not there to flip burgers, or to give people food. We’re there to create magic,” said Gonzalez, 23, who now works at the Department of Homeland Security in Washington. “When I worked there, I opened up. The confidence it builds in you is huge.”
Confidence? How is Disney confidence any different than confidence that can come from learning skills in a professional environment that actually relate to your field of study?
The use of the word "internship" is unsettling. Why do Disney employees receive the title of "intern" for a summer scooping out garbage cans and dressing up as Goofy?
Though the article says that they learn about customer service and Disney's hospitality culture, I can't see that someone can't learn a similar thing at the Cogo's down the street. It's just packaged differently, and colleges and universities are buying it as credible intern experience for a future physician's assistants, journalists or music teachers.
"Creating magic" or "flipping burgers", whatever you call it, for a music teacher, it's not in relationship to your field.
Be wary, oh registrar's offices of the world, Mickey might pull a fast one.
Introduction to Catholic Visits assessment (A. Cochran):
On one white doorframe in my house, small black marks decorate a wooden panel. From a distance, it looks as if a carpenter made a mistake, but upon further investigation, the marks are accompanied by sister’s name and my own along with a date. Not only indicating our height, these small markers remind us of our development and incite memories of standing on tiptoe to look taller, as we pass through the door today. I think of this semester's Catholic visits in similar terms; mistakes, development, investigation and memories have each marked this ongoing experience of the "other" and myself.
This semester I visited four separate Catholic worship locales: St. Benedict the Moor, St. Mary's Byzantine, St. Emma's Monastery and St. Joseph's Chapel. In addition, I interviewed several Catholics and now I am interviewing for and writing an article on Catholic identity at SHU. Needless to say, I'm getting an interesting understanding of what it is like to be Catholic, and particularly, a Catholic at SHU. It's been an incredible study. I can't wait to work this into my Nicenet.org conversations with Egyptian Muslim students over Christmas break.
It's fascinating. Religious studies is a great minor to pick up at SHU (and no one has paid me to say that :-)). The staff is great and the classes take you places (spiritually, intellectually and physically [the visits]) that I'd probably not go if I hadn't taken it up.
You are asked to think outside yourself; and though it can create a horrible dissonance with your own beliefs, it is great to try on different coats for a while. Some are too small and others are a little baggy, but it's a great accompaniment to your education to try or at least critique another faith or faiths with an open mind. I've found with further study, I'm stronger in my own beliefs because of it, and now I know what I believe and why I believe it.
This entry is an outline for a talk I will give to Dennis Jerz's Newswriting (EL227) class on November 7, 2005.
I'd like to talk today about my employment experiences working as a journalist for different news organizations, particularly, the cool things I've gotten to do, how I've grown, how I've been jaded, where I, and most journalists need to develop, and some of the ways to develop in this reputed bad press press business.
About me...
My journalistic past, present and future:
There's a job fair on November 10, 2005. I'm attending. :-D I like NYC and where the Setonian has pointed me: The New York Times.
So today's about me--where I've been as a journalist. My experiences as a journalist on the job for various organizations. Here goes...
High points of Setonian reporting:
Why a high point?
1. Places Setonian with other news organizations
2. Celebrity experience
3. Event coverage
4. Great on resume (I think it helped me get my internship.)
Why?
1. Take a tip and make something great out of it.
2. Interview experience.
3. Test in diligence.
Internship tops:
As an investigative reporter, I didn't regularly cover the everyday newsroom stories (i.e. obituaries, fires, car crashes, etc.). I was, for the majority of the summer in an air-conditioned office with the senior writers on the staff.
It was a great position. My former editor pushed up the hierarchy for me to get some of the best stories, and I did get a great deal of them.
Learning landmarks:
Court reporting is difficult for the novice. Defendants, lawyers, names, titles, issues, laws in question, evidence... It is mind-boggling; however, with practice, it can be formulaic.
Recommendations:
-Don't go it alone. Chances are, you won't get a chance to go alone as an intern. The Trib sent out my editor with me on my first assignment, and I paired up with David Hunt on the second article.
-Take a recorder.
-Don't write down everything--it's okay if you miss an amazing quote. The lawyers have enough rhetorical ammo; you'll get another one.
Asking the tough questions is your job as a reporter, but you have to keep those tough questions fair.
Often, people can't separate you from your work, so you must assess your affiliations in order to keep yourself neutral. I've struggled with this over the past few years. In order to keep myself clear (to a certain degree) from conflict of interest issues, I don't join campus politically-affiliated or associated organizations. That's not only my decision, but also the guideline given by the Trib.
Though you may be able to keep your affiliations separate in your mind (or think you can), your fairness in covering certain topics such as a political party, an issue such as abortion, or a sports team or university office, can be affected.
Though you may think you don't have a bias, it still can exist. It's especially seen in the topics you approach and the questions you ask during interviews.
Feedback:
Formulaic vs. Creativity:
Formulaic stories have a definite structure. They are usually constructed in strict inverted pyramid style or mimic the previous days' stories, for example, obituaries.
Creative journalism? To some people it sounds like an oxymoron, but to me it isn't. It's even more challenging than creative writing because you have to take someone's real story of extremes: pain or despair or elation, and make it comprehensible for a public who has not been through the same situation. Non-fiction is often more bizarre than that Kurt Vonnegut or Shakespeare drama on your bookcase. You are responsible as the conduit to make everyone who reads your work say, "I understand".
These stories have a definite formulaic or creative structure or a mix. Though I like to think I'm creative in everything I do, there are some stories that adhere to a certain structure, as set forth by the organization, tradition and the type of story it is.
So, what do you think these stories demonstrate: formula, creativity, a mix of both elements or something else?
Well-drilling owner always put family first
Sony worker interprets when Japanese bicyclist hurt
Jerry Springer's (ahem) Amanda Cochran's final thought:
I've heard it said you either have ink flowing through your veins or not. I do, and there's no refuting it. You may not be interested in journalism, and that's fine, because if I get a paper cut, it's a lot harder for Shout to get it out for me.
But seriously, journalistic basics are foundational for a critical thinking about everything. By studying journalism, you carry with you tools for assessing arguments, and a dogged determination to find the truth in yourself and in others.
I love this work, but it is work. Living up to the standards of this difficult, competitive field is taxing. I have a long, long way to go.
Realize that not everyone's a good journalist, and that's okay, but everyone can benefit from the mindset of one.
Many thanks to Dennis Jerz and his class for the invitation to speak.
**This blog is not directed toward any Setonian reporter. You may read into it what you will, but none of the information listed below is directed toward any particular person or group. I am fulfilling a requirement for Media Lab and the references, if any are made, are rhetorical and should not be construed as pointing a finger at anyone.**
One of the most difficult things about working with new reporters is placing them where they will be most effective at getting the story and getting it right.
It's a balancing act between what you know the reporter knows, what the person in authority knows and especially, when the reporter knows what the authority figure knows, how they will interpret it.
In truth, reporters are, in some cases, translators, speaking the language of companies, politics and law when they have no previous training in any of these areas. That is why I rejoice in my liberal arts education. I know a little something about lots of things and can, when falling, land on my feet with minimal damage. This knowledge, as a Freedom Forum article notes, "compensates" for the inadequacies of the individual reporter.
Acting dumb is a valuable tool for a reporter, but actually being dumb is another thing all together. Before I interview anyone, I do my homework. I surf the web, find out opposing opinions from previous articles, talk to other reporters about their experiences, and stack the printouts on my desk for future use.
Then, when I have a working knowledge of my subject, I begin writing my questions for interviews.
In the interviews, I sometimes I act like I do not know something to get a good quote. Sometimes I pull facts from a binder and ask the subject about their feelings about my findings or, my favorite, ask about an opinion already stated by another interviewed person.
Reporting is work. Reporters have to be ready for that and also to guage themselves for many, many situations that are often out of their control; however, one must maintain the appearance of control for the self and the story's welfare.
Being "ignorant or incompetent reporters" is a choice. If reporters are called into a beat or even to a story out of the blue, they need to be ready, which may mean working beyond office hours.
That's one of things I love about journalism: the reporter is called into accountability, as well as the organization. The self becomes part of something bigger and is a symbol of that organization. I know that when I don't care, someone else will and vice-versa. In that way, someone or all involved parties benefit from the hard work of the individual, from byline to newspaper's title head.
It's going to rain...whoops! I mean, sunny today with a high of 83 degrees and variably cloudy.
I've always poked fun at weather forecasters. They have one of the only professions in which they can provide incorrect information to an entire population on a daily basis and still get paid.
However, as I was reading from a Freedom Forum study, I realized that journalists are permitted the same occupational perk. And, in addition, this article demonstrates, the public relishes the moment when a reporter has the grace to say they are wrong and that is sorry for the erroneous info.
As I have said numerous time before, reporters have egos, and when a correction is placed with your story attached to it, it hurts. Literally hurts. Your story is your story, and, if you have been working on it for a long time, it becomes part of you--an echo of personal experience--despite all the objective bravado you may exhibit on the phone with a reader seeking a correction.
In fact, when my articles have been sent through the correction wringer, I have tried to stay objective, but it does hurt. I am proud to say that I haven't had any substantial corrections placed regarding my work, but I know corrections will be made with my name attached.
This article addresses more of the editorial staff's issues with correction fairness, rather than a reporter's, at least in my experience. If e-mailed responses to articles are received, they go directly to an editor, who decides to either a)address the issue with a correction b)talk with the contact about the problem or c)ignore the issue. C is usually not the case.
No one, especially the editors, want to admit a mistake that has passed their eyes. And, as both editor and writer, I know what that horrible sinking feeling of "bad" information is like, and plastering it up for everyone to see in a large box makes the editors look incompetent. The Tribune-Review, the Mt. Pleasant Journal and the Setonian, all employ small correction boxes, if at all. I can't say that I have ever seen a large correction in a paper before, but, surprisingly the public wants to see more of them.
I guess the only thing getting in the way is personal ego, professional ego and an organization's credibility. What incredible roadblocks! Because unlike weather forecasters, reporters--good ones--must face their mistakes with grace and humility and hold out for a sunny day, knowing that the rainy ones pour out in equal measure. I think all reporters, because of that reason, are secretly optimistists, waiting for that eternal sunshine.
Sitting with my legs crossed on a metal chair in Bryant Park, I tasted something sweeter than the fattening mocha cooling in my hand and felt something more uncomfortable than the dress shoes pinching my feet: a peek into what may come.
There's something about New York that gets me every time I visit. Is it the smell of burning hotdogs at the Times Square vendors? The slick suits and I-Pod carriers commuting to work? The honking of taxis? No, it's not really any of those things, but all of those things and many more that keep me coming back with enthusiasm. They aren't the taste of many from where I grow up, but me--I see a start there--a gritty beginning of something that may suit my taste. I really can't put it down, but it's there, nagging me with each turn of the now-familiar corners of Manhattan.
This trip, perhaps more than any of the previous trips, has shown me that maybe I do have a shot in NYC. Why? Because maybe there's real people there, not these mystical, impotent celebrity beings that they or we believe them to be.
Why the impression? In my case, it was several things times during my experience this time around.
My first downsizing of NYC happened the day of the conference, "Inside the Times", that Anne Stadler and I attended at the little publication on 38th Street: The New York Times.
We entered the building, which looked just like any other in New York, and were checked through security in a small area graced with NYT poster-size photography. No super-journalists with huge J's on their chests flying through the revolving doors. Damn--and at the same time--woo hoo.
While we were waiting in the lobby, I watched employees pass through the security checkpoint and noticed that they do the same thing I did every day at the Trib: pass their security badge over a scanner. Simple. Fast. Just on their way to work.
Later, when we--the 50 or so students from several private colleges from throughout the U.S.--were escorted to a ninth-floor auditorium, several editors introduced themselves on stage in their very normal-looking business attire. In my mind, I thought New York Times reporters wore Armani every day and carried a notebook around their neck...or something. How sweet it is to be proved wrong.
The second time was when I saw pics of Donald Trump plastered everywhere through the lobby of the Trump Tower. Why, oh why, that hair? How interesting that his wife looks like a model just down the street at Saks...or maybe Victoria's Secret. Ha.
But back to the conference. The day wasn't as intensive as I thought it would have been, primarily because I was expecting to be drilled on the Associated Press Stylebook or American journalistic ethics. Instead, the morning was surprisingly laid-back with some headline writing and copy-editing exercises.
My headlines weren't picked to be plastered on the overhead screen as "the best" or one of the comedic "bad" ones, so I was okay. A little humbled, but okay. ;) I would've liked one of the shirts or hats they were giving out, but no prob. I'll get one when I start working there. :-)
Later in the afternoon, several of the head journalists who produced the series, Class Matters, appeared at a panel discussion.
One of the presenters, Tamar Lewin, struck me. She talked about her experience with several interviews during her in-depth coverage of class, particularly in the context of one woman, Della Justice.
I felt a connection with the reporters when they talked about meeting with average Americans about everyday issues of income, education, occupation and wealth.
I did something similar this summer when I interviewed for a story on Clymer, Pa. The story isn't online, but I spoke with an elderly woman about her family's experiences in lieu of mine and brick company closings in the area.
I understood the importance that they placed on making several meetings so trust can be built, so that the reporter can understand the fullness of the life in context, and, essentially, so that the reporter can be touched, to impress upon others the importance of the subject.
Lewin also said that the issues that the reporter intends to take up are also important in the public's perception of the story. In the case of this series of stories, she said she knew nothing, so she had to choose carefully the issues of prevalence as the story's interviews developed her direction.
This is often the case: the interviews write the story.
The final component of the day's agenda was the advertising session. The manager of the ad department spoke awhile about ethical advertising, what is and is not allowed in the Times, and then distributed a packet of some ads not permitted in the paper. Nudity disguised as art lithographs, using company logos to bash a company through parody, and interestingly enough, homosexual advertisements--all no-no's for the NY Times.
I can't imagine having his job. One slip and he could have been gone--several times. However, maybe the perks outweigh the extra lines I didn't see on his face.
After the conference, Anne and I returned to our hideous hotel, The Manhattan Broadway, on 38th. We wanted to save money and still have a great location. Yeah, we got that, in addition to a room full of mirrors, hair on the sheets, a shower curtain with a duct-taped rod and some interesting caulked corners throughout the room. Thank God there weren't any bugs.
What an experience. But it wasn't as bad as Mexico lodgings and the front desk people were very nice when they weren't freaking us out about surveillance camera use in the hotel rooms.
One of my favorite about this trip was the train. The romance of a train track and the stations and the beauty of Pennsylvania and New York on a fall day captivated me. I didn't have to worry about filling my tank, parking, making a wrong turn or even if my car was going to die. The kind conductors took care of it all. Trains are roomier than planes or buses, and cheaper; I just don't get it why they aren't bigger in the U.S.
My mom and I are actually planning to take a trip to New York or Philadephia for a weekend train trip. She's adventurous. I like to think I have some of those genes.
I'll update with a photo gallery soon. I'm not off of my blog fast per se. This is sort of required fun blogging.
I LOVE IT, Evan!!!!
And check out those top links! The listings--the beauty of everything there, but not taking up space. The long-beloved search bar.
I feel a swoon coming on...
Don't we all want to go out "with a bang"? Hunter S. did. And so did Michael Brenner.
I guess the bang is all in perception.
Brenner called himself a bad journalist for his own publication's story on the hoax involving Kodee, a little girl and her father, Dan Kennings, who supposedly was serving in Iraq. Kodee and her father, Dan Kennings didn't even exist.
How the mighty have fallen.
It's easy to get carried away with publicity over your work. Trust me. It's almost intoxicating for me, when I see my byline in the paper, attached to something thousands may read.
I think Brenner fed on that and disregarded the fact-checking that a seasoned editor would demand during an edit.
As editor, Brenner was probably concerned with topping himself and others. In fact, Brenner is cited in the article as being disappointed by the lack of response from journalistic organizations. I see a major ego at work there, which is common and almost unavoidable as a journalist.
I mean, you are a trusted resource of information. You are editing the facts for public consumption. That's an amazing feeling, but it's also an incredible responsibility that one should never take lightly.
Mistakes happen, but it's difficult to think that something this huge could happen without someone saying "Hey, what's going on?" Very unfortunate. That's why I depend on my editors so much to check and recheck my checked and rechecked work.
Gosh, I'm nervous about my articles all over again. Maybe I'll give my articles a once- or three-over before I assent to publication. :-D
From the Chicago Tribune, "Hoax!":
"...eight days of reporting revealed elaborate fabrications and intricate lies. There is no soldier named Dan Kennings. The charming girl people came to know as Kodee Kennings is someone else entirely, a child from an out-of-state family led to believe that she was playing a part in a documentary about a soldier....the woman at the center of the hoax spun a remarkable wartime tale so compelling it grabbed the hearts of young journalists, university faculty members and readers, leaving them blind to the possibility it could be a ruse.
The reasons behind the lies remain unclear. There appears to have been no monetary motive, but the scope of the deception is staggering."
So who's to blame? Isn't that the question we all want to have answered and remedied, for every issue?
The blame game is becoming very tiresome for me as a reporter, but I guess a twisted trait found in most people dictates that the finger be pointed somewhere. Not that it ever really helps.
But aside from my philosophical wanderings, I turn to the he Tribune's reporters, who say it is Jaimie Reynolds, "the woman at the center of the hoax". However, the three reporters also introduce another player: a possible accomplice--a student journalist ,Daily Egyptian's reporter, Michael Brenner. The 25-year-old college student doesn't have the best reputation, as this article indicatates (but I'll talk about that in another blog).
Anyway, the sheer length of this article shows the care these reporters took in uncovering this hoax. Also, the fact that three Chicago Tribune reporters took on the story speaks of the story's need for accurate facts and a depth to break the story. Things like this don't come down the pike often; the Tribune wanted to do it right.
How a reporter could get so deep into a story and not know that his sources weren't real is beyond my comprehension. (Knocks on wood)
Reporters, at least the ones I know, walk a fine line between sanity and perfectionism/paranoia, which means facts are checked and rechecked. Though I have been wrong before and I anticipate being wrong again, I know it is part of the job, but it seems like this Brenner guy didn't even take an active role in meeting with the girl -several- times before validating the story. The other article says several phone calls were made between Kodee and the Daily Egyptian staff, but to avoid this maybe some more face to face contacts should have been made.
With big stories, I torture myself over whether I accurately paraphrased and quoted my source. Several calls. Several rewrites. It's tough.
To cover a story that long and not know...perhaps Reynolds shouldn't face the press firing squad alone.
It's just such an odd thing to happen. If Brenner did not know--for real--then I hope it can serve as a lesson to other reporters. This kind of thing can happen to anyone. Scary.
However, his rebuttal sounds a bit too readily available--like a courtroom drama.
"J**** C*****, that is completely not true," Brenner said when he heard about the allegations. "Obviously, she is making that up. I swear I'm telling the truth. The last two years of my life, I don't know what to believe. It's ridiculous. I feel stabbed in the back. They had an elaborate hoax. I'm telling the truth."
From Freedom Forum.org (a PDF file):
"We have a free press in the United States because of constitutional protection. We should have a fair press because of personal and professional commitment. The better we journalists are at making the press fair, and perceived as fair, the better chance we have of keeping it free."
As a member of the Student Voice of the Hill, part of my job is to show the viewpoints of the Seton Hill community.
While working at the Trib, my job was very different. I reported on the story and all the sources seemed to fit logically with the facts.
More often than not while writing Setonian articles, however, I begin giving student opinions as a separate section with a sweeping statement of introduction like, "Students feel (insert blah blah blah)."
I'm going to work on that in future articles. The voices of the student body should fit in with the story and should demonstrate the alternate sides of an issue without interrupting the flow of the article.
In the future, I hope to build my story around all the sources I interview, rather than the administration, as I am apt to do. It is the students' concerns I should highlight, rather than the official position of the university.
Though I usually begin with an understanding of the official state of the story, I want to "dig deeper" by poking around a bit more for more information (usually unofficial stuff) that I am always hearing. I usually discount this stuff, but I am growing to understand the value of gossip. Some shred of truth is usually in there somewhere, and it is my job to track down those rumors and ask the administration to either dispel them or own up to something.
As indicated in the quote above, this issue of fairness, goes beyond the sources reporters include. It is the way the sources, the facts and the overall tone of a piece is perceived by the audience.
I continue to work on this, and I think I am getting better. I reread my stuff and try to include pertinent information as it would logically and fairly depict the story.
But I guess that's up to my readers to decide. My judgment is a bit biased about my own work, I suppose. :-)
As a side note, Professor Klapak, Neha and I are working on student/professional panel discussions for October, November and December.
I am coordinating a discussion based on federal and state guidelines of the press's right to know versus the government's right to know, specifically in the context of Pennsylvania's "Right to Know" law and the Patriot Act.
My panel is in November if anyone wants to help out. I'll be making neat-o signs in reporter-style Courier New fonts, and I need someone with a keen eye to help me design them, along with some large visuals for that night. If you're interested, drop a line.
Last night, Neha and I watched part of the confirmation session of Supreme Court nominee Judge John Roberts.
I was struck by several things.
The interview gauntlet is quickly becoming an obsession.
I love when people evade the question; it tests my abilities as a journalist to get the answer I think lies at the end of this maze. Most of the time, a journalist knows what is at the end of the maze and is waiting for the subject to take you there, but other times, the maze is beyond your grasp and even you are surprised by the moldy cheese waiting.
Some of the senators' questions were sloppy, but instead of asking for clarifications or a correction of terms, Roberts forged ahead, so the telecast would not depict a confused child, asking for a repeat in a spelling bee. Compelling stuff.
What an interesting character!
Journalist, Hunter S. Thompson, who died of an alleged self-inflicted gunshot wound to the head, is a subject of study in my Culture Wars course.
His funeral was in the news this summer (for obvious reasons--his ashes were shot from a Depp-funded cannon). While I did note the oddity of his final wishes, an in-depth look at his life gives his life a little more color than I had previously supposed.
Gonzo journalism, Fear and Loathing, hating Nixon, despising Bush, articles about drug-induced experiences, anti-establishment. It's all there.
I can't wait to start weaving my fictional diary character's life in with Thompson's. Intertwining the two lives should somehow twist the story, I'm thinking.
But I'm getting ahead of myself.
My character is a Catholic Hispanic/Caucasian girl who was born on December 7, 1941--yes, the day of Pearl Harbor--completely intentional. Her mother died during childbirth. She has three brothers in their middle-class home in the suburbs of Canterbury Village, Ohio (a fictional town, but there is a Canterbury, Ohio).
The story, based on her life over ten year periods, will document how she changes as a result of the American experience of culture wars.
The final product, Professor Klapak said, will be a novella, of sorts.
Historical fiction is a favorite genre. This is exactly the kind of creative writing I like--laced with a little fiction, a lot of non-fiction impact, and a truth that maybe no one counts on. Forrest Gumpage.
It's living another life for the sake of writing of capturing it--sounds a little like gonzo journalism, eh? But maybe I'll skip Thompson's famous Hell's Angels beating. That sounds a little too in-depth to me.
Google has stepped up again.
Not only can you pinpoint the entire globe, encase thousands of e-mails, and search your entire computer with a Google-like search, but you can also talk.
I must echo Guardian's point: does Google have plans for world domination?
They could possibly see our homes, read our mail, search our computers, and now, listen to our conversations. Am I the only one who has issues with the potential power of this online/offline conglomerate?
Or, maybe I'm just paranoid after recently reading 1984.
-Google- may be watching you.
From Columbia Journalism Review:
Pham Xuan An argues that the only difference between being a spy and being a reporter is who reads your information.
--My Colleague, the Spy By Terence Smith
It's a mess, but somebody has got to stand up for a free press these days.
All day at work, we kept tabs on this story. Sidebar: The best part about working at the Trib is the access to the wire where reporters are given first dibs on stories right after they are written--faster than Google News.
What kept us riveted is the fact that journalist rights are again being questioned, which means the public's right to know is, as well.
On the news tonight, the reporter said that several states have journalistic laws, but a federal law does not exist. Hmm. I guess the Bill of Rights doesn't count.
This story reminded me of the legal seminar I attended at Seton Hill in June. Speakers from the Pennsylvania Newspaper Association outlined the state's laws concerning the press and the few cryptic laws that protect journalists (Right to Know and Shield Law).
Just an FYI, but Pennsylvania has some of the sketchiest media legislation in the country. The Pennsylvania Newspaper Association lecturer had to go through each piece of legislation line-by-line and tell us the implications and multiple meanings of each sentence. Then we went through individual cases that have addressed these laws, and it is bleak almost always for journalists.
One of the best parts of the seminar was when she addressed what pieces of information journalists are entitled to see and which ones we are not, specifically with private organizations and non-profits.
After attending this seminar and watching Miller walk away from the courthouse today, I realized this could happen to any journalist. However a journalist with tact and lots of feedback from other writers and editors may sidle away from something like this...hopefully.
Confidentiality for sources is a great method of finding the truth, but at the same time, reporters should evaluate the motives for a source's information. As one reporter on ABC News claimed tonight, she was digging up dirt, rather than being a whistle-blower, which he said is a more reasonable cause.
As a die-hard dirt-digger, I do understand, to as certain degree, the ambition and amazing payoff fueling her, especially while working for the New York Times. The pressure must be overwhelming to get the story right and as exclusive as possible with the people directly involved.
But I think she may have stuck her foot too deep in the dirt and now it's raining, sucking her into the mud of federal politics. Maybe the prosecutors, who have been investigating, well, nothing, will dig a tunnel out for her.
After a week of wondering where my article was going to be, I found it today.
This was probably the most enjoyable story I've done thus far. It's so much better when you have people that want to talk about the subject, rather than being coerced. The blessed quotes that you strive to get are right there.
The structure is much more newsy than the features I've been working on lately. Features require a little more creativity, but I'm working on that angle. I'm not completely dead inside creatively. Or at least I hope not.
In my last internship at the Mount Pleasant Journal, I did a story similar to this about a White Deer Run treatment center, just down the road from my house. I'm so happy I did. I knew what kind of questions to ask concerning the method and types of treatment given at these facilities. Also, what kind of contention, if any, is occurring in the community. In Mount Pleasant there were public debates about treatment centers coming in, specifically for young men. White Deer Run decided to make their facility a women's treatment center in an historical mansion. The last time I checked, a realtor's sign decorated the yard. I'm not sure what is going on with that.
Journalists have three payoffs: getting the quote, getting literally paid and, most rewarding, getting published. Is it natural to love your job this much?
"I sold a morgue table for a couple hundred dollars to a guy who turned it into a bar," Stroyne said. "I recently sold one of the pedestal sinks that was in the tunnels. There were bathrooms down there."
One day at the Greensburg Tribune-Review under my belt. "So--" you are all asking, "How did it go?"
Pretty well for all concerned parties, especially my stapler.
I arrived at the Trib promptly at 10:00 a.m. in my brown suit and cream-colored shoes. Whoops, I went in the exit. Some back-ups and I was in a parking spot. After a few minutes in my car doing breathing exercises to Coldplay's mellow tunes, I stepped out and headed toward the main entrance.
After giving the receptionist my name, I surfed the Trib website in the lobby, but was quickly escorted in to fill out some financial stuff and have my photo taken for my press badge.
I think that is the first I.D. photo I've ever taken where I do not look like I have been sedated. I would show you it, but the I.D. isn't mine, but the Trib's. I don't want to be skating on thin ice my first day. Skating on normal ice is hard enough. :-D
After all of that, I went down into the newsroom to meet the reporters and the tech manager for training. The computer program they use is great. User-friendly.
During my tech training, the fire alarms went off, and I took a walk outside to the parking lot with the rest of the staff. I kept thinking, "Wow, I need to make some friends to stand with whenever this happens." I'm working on it, though.
After the conclusion of the fire drill and my computer training, I headed out with one of the reporters to get a look around the office. The printer is beautiful. I tried to "get" the idea of a four-color process printer during my Print Communication and Digital Imaging courses, but I just didn't understand it until I viewed the buckets of ink and the plates, and heard the whir of the machine first-hand. Oh, the wonder of CMYK!
And back to my desk. The placement of it is not exactly where I envisioned (in the newsroom), but I am honored by its location: in the middle of the in-depth news feature team office. I am working the best reporters on the staff. They do not take interns often, so I have a lot of work to do to prove that they made the right decision.
My desk is also adjacent to the photo department; it is partitioned off by a glass window and I can see everything that is happening inside their world...
I have received my first assignment and I am working hard on it, but only during work hours. I have been told NOT to take work home with me. What a change from the homework schedule I've been keeping for the past few months.
I also recieved a new Associated Press Style manual, a Trib Manual, a dictionary, phonebook, pens, notebooks, a black garbage can, and two bookends for my desk--exciting additions.
I was running on adrenaline for the past two days and it finally caught up on the drive home. Sapped.
After voting, I crumpled into a heap on my sister's bed. Maybe tomorrow I will do the lunch thing...
If I decide to take a three-credit course (the internship at the Trib), I would have to dish out over $500 a credit, in addition to a part-time student fee.
I knew Seton Hill was an expensive school, but this is absurd. The only involvement I would be having is with my professor weekly over e-mail and in one, final paper. That's right, folks, $1500+ for a three-credit course for which I will not even have to enter Seton Hill's doors. Also, I have to register now; it is performed during the summer so the internship credits must be applied during the internship period.
Dr. Jerz is looking into making it a one-credit deal where I would be substituting the other two credits for something else, so maybe there is hope.
Sometimes, especially when I enter the little offices on the first floor of the Administration Building (i.e. Student Accounts, Financial Aid and now the Registrar's), I get the overwhelming urge to scream anything--everything that I feel. But I didn't today. I got on the elevator before I exploded and talked with SHU's archivist, Mr. Black.
He has a way to make even the stressful situation okay. By the time I got to the Publications Office, I was smiling again. This isn't the first time, though. He is always putting out Amanda-Bonfires in the office when things are going roughly during production. Werther's and Godiva chocolates are his extinguishers, and they do the trick.
Anyway, whatever happens with the internship, I realize that I am going to be incredibly poor after college. But that doesn't mean that I need more tacked onto that loan bill; I am NOT giving this up without a fight.
That's right. We got it to you first. Wireless and increased bandwidth. Take a look.
I'd like to thank the SHU CIT Department for the opportunity to speak with them and Hobnob, Inc.'s CEO and founder, Aron Hall (yes, he spells his name with only one "A") for the interview.
How sweet it is.
Yesterday, around 11:00 p.m., lo and behold, I had four missed calls on my phone. Did someone die?
Two from home. One from a cousin. One from an unrecognizable number.
Hm. Greensburg number.
Dialing...."Hello, this is Robin Acton of the Tribune-Review." Holy crap. Internship opportunity. This could be the call from the newspaper gods.
Luckily, it was a voicemail. I hurriedly hung up.
After a night of tossing and turning, I called this morning and met Miss Voicmail once more.
The next time, on two rings, I met Miss Acton herself. I wasn't expecting this. The voice wasn't digitized. After speaking briefly with her, I felt the urgent need to jump and scream, but I was in Lynch Hall...I did it anyway. :-D
Yes, I have an internship with the Tribune-Review for this summer for 13 weeks. And I get paid. woohoo!
I did not want to post about my interview because I did not want to have bloggers asking me if I got it yet, and I would have to reply in the negative.
Oh yeah, the extra calls were from my sister. She wanted to tell me the "lady from the Trib called" and my cousin...well, I haven't followed up on that one yet. Let's hope someone didn't die. I don't know if I could smear this smile off of my face for a funeral.
It is very difficult to be unbiased when you read lines like this (ABC News):
"The court has already determined that (Michael Schiavo) will control the burial decisions," Gibbs said.Outside the Pinellas Park hospice where Terri Schiavo lived for five years, just a few protesters returned Friday for a brief mass as city workers took down barricades used to control the crowd. Media crews from around the country packed up their gear.
These last lines are really depressing, and sort of show the humanity behind all of this, with both sides consequently failing. It is ending and there is nothing that anyone can do now, except wait for another death. It's all very morbid, isn't it?
No one needs to worry about filling an e-mail account with G-Mail. Big attachments of photos, PowerPoint presentations, PDF files, whatever, need not worry your pretty little head.
So far, I am enchanted by G-Mail. When I was invited to G-Mail by Julie Young, I began with 1000 MB of space for files, and they have, just today, increased my account size to 1326 MB.
While I have heard various negative feedback concerning the privacy issues of G-Mail, I haven't had any problems with it so far, and I don't usually say things over e-mail that I would have problems with people reading anyway. But people aren't reading G-Mail. Computer scripts are. The advertising on the righthand side, for example, changes according to your message's content, indicating a computer script, rather than a real person looking at your message.
It is a lopsided tradeoff, as far as I'm concerned: absolute privacy (yeah right--like you get that anywhere on the internet) for a huge account, friendly interface, lossless compression of messages, easy categorization, and conversation storage. For me, the answer is easy, and the rest is disillusioned privacy hype.
By the way, if you want G-Mail, leave a comment with your e-mail listed in the body of the e-mail; I have invitations to spare. It's too good not to share.
Head coverings was the trend. Arabesque calligraphy decorated the entry. I took my shoes off when I entered. This evening I visited the Islamic Center of Pittsburgh.
I am taking a class on Islamic culture this semester with an Egyptian professor, Abdul Marjoud Dardery. He is visiting for about ten weeks, and my class is shortened to accomodate his stay. However, I should say lengthened because of the 4.5 hours I spend on Wednesday nights.
Four and a half hours? Boring right? Nope. Though I sometimes have issues with body parts falling to sleep, I am enamored by what I am learning, and becoming more aware of the misconceptions in our own culture about Muslims and the faith tradition of Islam.
When we arrived, I was expected to take off my shoes, and it was a great experience. I mean, everyone had something in common: we had clean socks. :-)
After introductions and the evening prayer, which was called in the traditional manner by a Seton Hill student, the students in my class, and the Faith, Religion and Society course (which I took last year) were introduced to the people of various countries represented at the center.
Saudi Arabia. Egypt. Yemen. Turkey. And Iraq...
I chose Iraq as my country to research. After all, I am a journalism major, I should know something about the country that is on the news every day.
Hearing about the country straight from an Iraqi was indeed enlightening. His views on the American habitation of Iraq were perhaps the most surprising. He wanted America there for a time to establish order and borders, but then eventually move on. I thought that he would want the Americans out.
I perceive this constant friction between "us" and "them", but the more I learn, I find that the conflict is in certain specific groups, rather than the majority of the country that voted in the first election.
He would not directly answer my questions concerning the influence of the west on the east, such as the decline of polygamy, but he did point me in the right direction for my research.
The influence of the west! Exactly. We are there, why not?
One especially funny thing we talked about was marriage and the contract that it is to Muslims. As a contract, a male and female may outline what they would like in their marriage. He did not intimate the conditions of his own marriage, but he did say how expensive the gold was that he purchased for his wife, which she requested. Amazing! 24-carat. He said he had to buy it in Turkey because the U.S. does not have it of that quality.
I have his e-mail, so I think we will keep in contact. He said I could perhaps stay with his family sometime to see what life would be like as a Muslim for a day. Sounds interesting. This religious studies minor keeps getting better and better.
Yesterday I called the Trib about the supposed internship. The managing editor answered and me, going rather wild at not getting a voicemail, began speaking--not always a good thing--but thankfully, this time, the babbling was minimal. I shut my mouth and let her speak.
As for my prospects, I think I am in the running for an interview. She mentioned it on the phone, and asked me to call in a couple of weeks, giving me a new number to call. As I was scribbling all over Tiffany's phonebook, my hand shaking, I realized that she may just want me to stop calling her...
I will not focus my energies on negative options. Besides, I only called her twice: for information and to check if she received my resume and samples.
The internship will be over the summer, and I would learn so much from this experience. I would also get paid, which is uncommon in this area. I am looking into getting SHU credit for this internship too.
I don't want to get my hopes up, but the opportunity is tantalizing. Working with reporters, photographers, layout editors...This is what I was meant to do.
If it doesn't happen this time, I will find another alternative. If it does...well, we all know how I am when I am excited (screaming, crying and laughing absolutely included).
With all the talk on my blog about Firefox, imagine my surprise reading this today:
Blake Ross is 19 -- the same age Bill Gates was when he founded Microsoft -- but the surprising success of the free Internet browser Ross helped create doesn't yet have him dreaming about a Gates-sized fortune."That's not really my concern right now. I just want to make a good product," Ross said recently from the bedroom of his parents' condo as he the watched the Mozilla Firefox browser quietly chip away at Microsoft Corp.'s stranglehold on Web surfing....
Ross started learning about computer programming at 10, designing Web pages on AOL. That hooked him, and he bought programming books to learn complex languages like C++ on his own.
When he was 14, the precocious teen began fixing bugs in Netscape's Web browser from his home computer. A few months later, Ross told his parents he had a job offer.
"What, at the local store or something?" David Ross remembered thinking when his son told him.
No, at Netscape.
Sheesh. Let's hope he keeps his momentum.
With the ink drying on the pages, I scan and probe for mistakes one last time. Fonts. Size. Everything seems to be in order.
My coverletter and resume are put together, located rather precariously near my bowl of Honey Bunches of Oats. Maybe I should move them...
Sometime today I will be dropping the precious pages in the blue box that seems to eat and never deliver mail. The reason for my discontent? Textbooks. I sent a check--yes I still use them--for books, and they have to receive the check before they start bundling my books. I am about to crawl up a wall when I visit Amazon and all I see is "we must receive your check first."
I know it is going to Washington state. I should really have some patience. I try to stay clear of the debit card numbers when working online. I just don't trust companies with that information.
Let's hope Greensburg mail moves a bit more quickly.
(I can't believe how professional and feminine this looks, especially on Firefox (that I downloaded with Karissa's recommendation).)
This proves that Brad Pitt was just too pretty for Jennifer Aniston.
I can just imagine their last conversation as a couple.
Jenn: How does your hair stay so light and fluffy. So...windswept.
Brad: I don't know. I got this amazing mousse from George Clooney on the set of Ocean's Twelve, but it was like that before...(mumbles on about his co-stars and how Angelina Jolie has amazing hair)
Jenn: Shut up or I swear *she glowers* I have friends.
Brad: What? Don't you agree that I am the epitome of a pretty man?
Jenn: I think I need to go get a treatment.
Brad: Botox? I think so. Your eyebrows are starting to sag.
Jenn: No--spa. I wanted something with seaweed--*She stomps off*
And with this, she went her way, and he, his, though they are still "committed and caring friends. Ain't love grand?
Writing for the Internet. What fun. The class I have been mentoring throughout the fall semester is about to end, and my job as mentor also. I will abstain from tears--my keyboard is cheap. :-)
But how do I end this semester in Writing for the Internet? Not with the fun website that I can put in my blog links (by the way, that site is more popular on Google than the original "real" library site woo hoo!)...no, but rather a research paper. Yes, another one.
However, this one might be published--somewhere. I am doing something that may have never been seen before: a hypertext research document.
If you are interested in my toils, please continue.
The idea is that I will put together my paper in paper format and then post it online with links throughout. I am doing my paper--as of now--on the development of the SHU blogosphere in relationship to forums and chatrooms, and I will be linking to the exact blog that I cite in my paper document.
I plan on constructing my research document online in chunks. While I will write the research paper first, I will construct the online document from that research, but with an entirely different format.
After discussing Leslie's research directory page on Buffy the Vampire Slayer, I decided I would take a few tips for my own project. Each new page, for example, will have a different purpose: the thesis/introductory page, supporting point pages, and conclusion/more information page.
The point I want to make is how we are, in the blogging community, using a superior form of online communication. While this may seem indisputable, I have found some silly people who think otherwise. Woo hoo for opposing opinions.
As for the development of this research paper,