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        <title>AngelaSaffer</title>
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        <copyright>Copyright 2009</copyright>
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            <title>Blogging Portfolio II</title>
            <description><![CDATA[Well here we are two months later, and the time has flown by. Here I will present to you my work that I have done in the second part of the semester for American Literature.<br /><br /><b>Coverage</b> <i><br />includes all of the blogs I have done since portfolio I. I have posted all but one blog that we were assigned.<br /></i><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/preachin_again.html">Preachin' Again</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/hearts_in_gran_torino.html">Hearts in Gran Torino</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_bit_young_to_have_children.html">A Bit Young To Have Children</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/staying_in_the_now.html">My Papa's "Waltz"</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/daddy_daddy.html">Daddy Daddy</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/frost_one_upset_man.html">Frost- One Upset Man</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_new_and_improved_american_dr.html">"New and Improved" American Dream</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_new_and_improved_american_dr.html">Peace Be With You</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/rain_meaning_sadness_as_well_a.html">Rain Means Sadness and Hope</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/frost_one_upset_man.html">More Human- Less Invisible</a><br />
<a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/staying_in_the_now.html">Staying in the Now</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/everything_is_sex_but_nothing.html">Everything- but nothing- is sex</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/a_holy_glow.html">A Holy Glow</a><br /><br /><br /><b>Timliness</b><br /><i>Here are all of the blogs I got done by Friday, noon, before the next class. This half of the semester was a little messier than the first half, as you can see.</i><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_new_and_improved_american_dr.html">Peace Be With You</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/rain_meaning_sadness_as_well_a.html">Rain Means Sadness and Hope</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_bit_young_to_have_children.html">A Bit Young To Have Children</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/preachin_again.html">Preachin' Again</a><br /><br /><b>Interaction</b><br /><i>This still proves to be my weak spot. Here is where I attempted to stir up some conversation, but still did not reply back before the book was done being discussed.</i><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/frost_one_upset_man.html">More Human- Less Invisible</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/staying_in_the_now.html">Staying in the Now</a><br /><br /><b>Depth</b><br /><i>Here are a few blogs that I went above and beyond with, not just putting a quote down and writing what I thought about it, but maybe comparing it to a movie.</i><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/03/hearts_in_gran_torino.html">Hearts in Gran Torino</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/staying_in_the_now.html">My Papa's "Waltz"</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/04/staying_in_the_now.html">Staying in the Now</a><br /><br /><b>Discussion</b><br /><i>Here are the blogs that I joined into a discussion with before class.</i><br /><a href="http://blogs.setonhill.edu/ChelsieBitner/2009/04/resurrection_blues.html">Chelsie Bitner on Resurrection Blues</a><br /><a href="http://blogs.setonhill.edu/ChelsieBitner/2009/04/the_time_travelers_wife.html">Chelsie Bitner on Time Traveler's Wife</a><br /><a href="http://blogs.setonhill.edu/JenniferPrex/2009/04/the_future_isnt_set_in_stone.html">Jennifer Prex on the Future </a><br /><br /><b>Extra Effort</b><br /><i>For our exercise four projects, Chelsie Bitner, Ashley Pascoe and I created Facebook pages for Brother Jack, The Invisible Man, and Tod Clfiton. We all joined them together in a group called "The Brotherhood"</i><br /><br />We ran into a problem naming them, so we had to come up with names that sounded ¿real? instead of naming them 'Brother Jack' and 'Invisible Man'<br /><br />Here are their facebook pages and the group:<br />Jack Broth as <a href="http://www.facebook.com/photo.php?pid=183283&amp;id=1588470452#/profile.php?id=1368026434&amp;ref=ts">Brother Jack</a>&nbsp;&nbsp;&nbsp;  <br />Narrator Man as <a href="http://www.facebook.com/home.php?#/profile.php?id=1686055202&amp;ref=ts">Invisible Man&nbsp;</a>&nbsp;  <br />Tod Clifton as <a href="http://www.facebook.com/home.php?#/profile.php?id=1304395854&amp;ref=ts">himself </a> <br /><a href="http://www.facebook.com/photo.php?pid=183283&amp;id=1588470452#/group.php?gid=68504152627&amp;ref=mf">The Brotherhood</a>&nbsp; <font style="font-size: 0.64em;"></font><br /><br /><br /><br /><br /><br /><br /><br />]]></description>
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            <pubDate>Tue, 28 Apr 2009 10:50:34 -0500</pubDate>
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            <title>a Holy glow</title>
            <description><![CDATA[<p>the use of light and dark in this play is a huge amount of symbolism that would mean a whole lot if we were to see this in production. not only on the cover (because it is a book- not meant to be a book- but the glare makes a cross, which was not a mistake.) </p>
<p>the opening scene begins on the dark stage with Jeanine, a downplayed character until the second act, who feels that the only reason she is living is because this man, who is the son of 'God'-&nbsp; not 'god' (because it seems that the playright made it a point to not capitalize when the non-believers said God. </p>
<p>Her belief in Him keeps her alive. Many times throughout the book, He changes his name, and it is noted that He never actually talks to anyone, and it seems that only people who believe really see him through a sort of light. </p>
<p>&nbsp;</p>
<p>&nbsp;</p>]]></description>
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            <pubDate>Mon, 27 Apr 2009 10:55:45 -0500</pubDate>
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            <title>Everything is sex, but nothing is</title>
            <description><![CDATA[<p>"Drives you crazy, doesn't it? When they're writing about other things, they really mean sex, and when they write about sex, they really mean something else. If they write about sex, and mean strictly sex, we have a word for that. Pornography."</p>
<p>How much more confusing can you get, Foster? Is Naked Lunch by Augusten Burroughs really considered porn? I think that when we're at the stage that we turn everything into a sexual innuendo, it can either be the best or the worst time to be reading literature. In one instance, we can see everything as representing sex, and since symbols can mean more than one thing, sometimes more than others we'll be right in some aspect, but this can also be over-kill and we will just be called peverts. In some cases, this will be rightfully so. It's just frustrating to no end that Foster will say, in essense, everything is sex, and then turn around and say nothing is.</p>
<p>&nbsp;</p>]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/04/everything_is_sex_but_nothing.html</link>
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            <pubDate>Mon, 20 Apr 2009 14:01:35 -0500</pubDate>
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            <title>Staying in the Now</title>
            <description><![CDATA["...and we laugh, and laugh, and nothing can ever be sad, no one can be lost, or dead, or far away: right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment." (241)<br /><br />There is somewhere in themselves, a love so strong that holds them together through all of the rough times and even over time periods, and simple times like these keep them together. a little later in the book Henry is explaining to the doctor how the present is just pulling at him because they have such a strong bond that is keeping them here. When they begin to fight, that force seems to let him go, but when their lives are perfect it just seems like nothing can go wrong and it keeps him in the present with her.<br /><br />throughout the book, one thing that bothers me is that it skips these mass amounts of time and I feel like I am missing out on so much. another thing that is odd is that they miss out on so much with each other and that he knows when people die. When people are asked, 'would you ever want to know when you would die?' some answer yes, because it would give them an idea of how much more fun they could have, they would be able to live like to the fullest more,&nbsp; but more so than not, they answer no, because it would make them depressed. <br /><br />it makes me think of the Bucket List, the men in the movie knew they only had a certain about of time to live, and lived it to the fullest instead of moping around.<br />]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/04/staying_in_the_now.html</link>
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            <pubDate>Mon, 20 Apr 2009 11:20:08 -0500</pubDate>
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<p class="MsoNormal">"....becoming aware that there were two of me: the old
self that slept a few hours a night and dreamed sometimes of my grandfather and
Bledsoe and Brockway and Mary, the self that flew without wings and plunged
from great heights; and the new public self that spoke for the Brotherhood and
was becoming so much more important than the other that I seemed to run a foot
race against myself..." (380)<br />
<br />
<br />
This is one of many times in the novel that our narrator realizes he has
changed so much. <br />
The fight with Ras makes him reflect back to his fight in the first chapter of
the novel, and every so often he becomes wary and asks himself if another
person is going to steer him wrong again like he has been so many other times.<br />
<br />
A bit earlier he says that he is becoming 'more human' and even shocks himself
by saying this..<br />
<br />
" 'More human'... Did I mean that I became less of what I was, less a
Negro, or that I was becoming less a being apart... But this is all negative.
To become less- in order to become more?" <br />
<br />
in my opinion,&nbsp; he naturally feels more accepted now, more human and less
invisible because he is accepted by the people.<br />
<br /><a href="http://jerz.setonhill.edu/EL267/2009/04/ellison_the_invisible_man_1/">
Other Thoughts</a></p>

]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/04/more_human-_less_invisible.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/04/more_human-_less_invisible.html</guid>
            
            
            <pubDate>Sun, 05 Apr 2009 17:40:40 -0500</pubDate>
        </item>
        
        <item>
            <title>Peace Be With You</title>
            <description><![CDATA["Around me the students move with faces frozen in solemn masks, and I seem to hear already voices mechanically raised in songs the visitors loved. (Loved? Demanded. Sung? Al ultimatum accepted and ritualized an allegiance recited for the peace it imparted, and for that perhaps loved. Loved as the defeated come to love the symbols of their conquerors. A gesture of acceptance, of terms laid down and reluctantly approved.)"<br /><br /><br />When we talked in Dr. Brennan's class about faith development, we discussed actually understanding the words in the prayers that we as Christians say. In the Christian faith, in fact, I know that a lot of members just mutter the words of the Hail Mary and The Lord's Prayer, not even thinking of the words that are included. However, when a priest speaks these words with great passion, or sings a church hymn with great passion and we as a congregation join in, we feel the energy coming from that priest. ultimately, we can tell if he means it, we can tell if he is passionate about it, and we can tell if he wants us to believe it or if he's just doing it because we have to. In this passage, though, it does not quite matter so much that they mean it, it matters the latter, that it brings peace to the congregation.<br /><br /><br /><a href="http://jerz.setonhill.edu/EL267/2009/03/ellison_the_invisible_man/#comments">Other Students' thoughts On The Invisible Man</a><br /><div><br /></div>]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/peace_be_with_you.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/peace_be_with_you.html</guid>
            
            
            <pubDate>Thu, 26 Mar 2009 22:08:16 -0500</pubDate>
        </item>
        
        <item>
            <title>A &apos;New and Improved&apos; American Dream</title>
            <description><![CDATA[&nbsp;&nbsp;&nbsp; This article was hard to understand and my mind jumping around wondering, what? while I read it, but I settled on these few quotes to analyze. <br /><br />&nbsp;&nbsp;&nbsp; "The flooding that climaxes the novel is thematically situated to provide maximum counterpoint to the drought which originally forced the Joads to migrate west... Their survival has come to depend on shelter from the elements rather than the elements themselves." (Cassuto)<br /><br />&nbsp;&nbsp;&nbsp; Cassuto points out here that the very thing they depended on (the water) turns on them when they migrate (when the flood hits) and they are forced to find shelter and their lives are theatened. He also says earlier in the article that, "Instead of abandoning the American Dream, the dream itself underwent and ideological shift."<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; This is because in the 1920's, (When Gatsby was set,) the American dream was to have a white house, a nice family, a white-picket fence, the mother not having to work, oh and don't forget the dog. The family lived<i> happily ever after</i>. Now, (during The Grapes of Wrath, I mean,) the American dream is <i>working</i>. -Imagine that. <br /><br />&nbsp;&nbsp;&nbsp; Wait. Something sounds familiar. <u>too</u> familiar, doesn't it?.... we see that this is repeating itself as we enter our own recession in the twenty-first century. People are losing their jobs left and right. Even <b>doctors </b>are getting laid off. I'm just bringing this example to light because this is real.<br /><br />More thought <a href="http://jerz.setonhill.edu/EL267/2009/03/academic_article/">here </a><br /><br /> ]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_new_and_improved_american_dr.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_new_and_improved_american_dr.html</guid>
            
            
            <pubDate>Mon, 23 Mar 2009 16:23:21 -0500</pubDate>
        </item>
        
        <item>
            <title>Frost; One Upset Man</title>
            <description><![CDATA[to me, this poem represented loneliness in Frost's life. Through slight research I cannot find if Frost and Lowell knew each other or not. However, you can tell through this poetic work that Lowell imagined them to have a sort of connection.<br /><br />Robert Frost at midnight, the audience gone<br />to vapor, the great act laid on the shelf in mothballs,<br />his voice is musical and raw- he writes in the flyleaf:<br />For Robert from Robert, his friend in the art.<br />"Sometimes I feel too full of myself," I say.<br />And he, misunderstanding, "When I am low, <br />I stray away. My son wasn't your kind. The night<br />we told him Merrill More would come to treat him,<br />he said, 'I'll kill him first.' One of my daughters thought <br />&nbsp;&nbsp; things,<br />thought every male she met was out to make her;<br />the way she dressed, she couldn't make a whorehouse."&nbsp; <b><br /><i>was he saying here that his girl was ugly and tried to be a whore? or too good for a whorehouse and though she tried to get the boys?</i></b><br />And I, "Sometimes I'm so happy I can't stand myself."<br /><b><i>Lowell- so happy it makes him insane</i></b><br />And he, "When I am too full of joy, I think<br />how little good my health did anyone near me."<br /><b><i>uses joy and good life as irony because the poem actually has a very morose feeling.</i></b><br /><br />more thoughts on Lowell <a href="http://jerz.setonhill.edu/EL267/2009/03/poetry_selections/">here</a><br /><br /><br /> ]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/frost_one_upset_man.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/frost_one_upset_man.html</guid>
            
            
            <pubDate>Mon, 23 Mar 2009 15:56:50 -0500</pubDate>
        </item>
        
        <item>
            <title>Daddy Daddy</title>
            <description><![CDATA[<i>Daddy</i> by Silvia Plath was written in 1962 by Silvia Plath. it seemed to use the Holocaust as a metaphor to her life with her father. Her father, who I found out was a German immigrant, was weighing her down. <br />"...black shoe<br />In which I have lived like a foot<br />For thirty years, poor and white,<br />Barely daring to breathe or Achoo..."<br /><br />"...The tongue stuck in my jaw.<br /><br />It stuck in a barb wire snare.<br />Ich, ich, ich, ich,<br />I could hardly speak.<br />I thought every German was you.<br />And the language obscene"<br /><b><i>'Ich' means I in German. <br />In the war, every German looked alike, and the German language is obscene. for example, Ich liebe dich = I love you.</i></b><br /><br />"...An engine, an engine,/Chuffing me off like a Jew./A Jew to Dachau, Auschwitz, Belsen./I began to talk like a Jew./I think I may well be a Jew."<br /><b><i>The engine is her father damaging her mind.<br />She was not part Jew, but the way he treated her made her feel like it. <br />She compared him to Hitler. <br /><br /><br /></i></b>"...And your Aryan eye, bright blue.<br />Panzer-man, panzer-man,...<i>"</i><b><i><br />Found on <a href="http://facstaff.gpc.edu/%7Eshale/humanities/composition/handouts/sample/imagerydaddy.html">a paper discussing images in Mein Kamf</a>;<br /></i></b>"Panzer-man" (l. 45) implies her father was like one of the most feared military machines, an armored tank producing a mind-chilling sound when approaching its target. She also says he is "not God but a swastika"&nbsp;<b><i> <br /><br /></i></b>"...If I've killed one man, I've killed two---<br />The vampire who said he was you<br />And drank my blood for a year,<br />Seven years, if you want to know.<br />Daddy, you can lie back now.&nbsp; "<b><br /><i>Hitler had many impersonators, but unless she was talking directly about Hitler, I'm pretty confused by this.</i></b><b><i><br /></i></b><br /><br /><br /> ]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/daddy_daddy.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/daddy_daddy.html</guid>
            
            
            <pubDate>Mon, 23 Mar 2009 09:58:46 -0500</pubDate>
        </item>
        
        <item>
            <title>My Papa&apos;s &apos;Waltz&apos;</title>
            <description><![CDATA[Roethke's poem <b>My Papa's Waltz</b> was the one that caught my eye easiest by his saying <b>waltzing</b>, I got 'child abuse' out of it.<br />This threw a red flag at me, because I am going to be teaching K-3rd grade and though people like to be blind to the subject, it does happen.<br />This poem is found on page 13.<br />The poem begins with a common rhyme scheme of A B A B and continues on to not exactly rhyme every-other-line, but rolls off the tongue easily.<br /><br />The whiskey on your breath<br />
        Could make a small boy dizzy;<br />
        But I hung on like death:<br />
        Such waltzing was not easy<br /><b><i>First off- alcohol is usually a common cause of child abuse. The
fact that it is making the boy 'dizzy' and he had to hang on 'like
death' is another thing that makes the whole situation unsettling.</i></b><br /><i><br />W</i>e romped until the pans<br /><p>
        Slid from the kitchen shelf;<br />
        My mother's countenance<br />
        Could not unfrown itself.<br /><b><i>romped is usually a word used with animals. they were acting as animals. and his mother was unhappy, but apparently could not stop it.</i></b><br /></p><p>
        The hand that held my wrist<br />
        Was battered on one knuckle;<br />
        At every step you missed<br />
        My right ear scraped a buckle.<br /><i><b>His father's hand is holding his wrist so he doesn't move, and is battered possibly because of physical harm that the fist has done.</b> <b>If he stumbles, messes up, he gets punished more</b><br /></i></p><p>You beat time on my head<br />With a palm caked hard by dirt,<br />Then waltzed me off to bed<br />Still clinging to your shirt." <br /><b><i>This is, to me, the most alarming stanza of the poem. literally it
is saying because the child was around all day and is up too late (maybe?), the
father has had enough of his nonsense (when the father needs some parenting advice himself...) is again abusing him and dragging him off to bed.</i></b><br /></p><br /><a href="http://jerz.setonhill.edu/EL267/2009/03/poetry_selections_roethke_blog/#comments">Other students' takes on Roethke</a><br />]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/my_papas_waltz.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/my_papas_waltz.html</guid>
            
            
            <pubDate>Sat, 21 Mar 2009 23:36:08 -0500</pubDate>
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        <item>
            <title>Rain Meaning Sadness as well as Hope </title>
            <description><![CDATA["If you read a scene in which new life was coming into being, the rain outside would almost inevitably lead you (based on your previous reading) to a process of association in which you thought, or felt (since this really works as much as this visceral as at the intellectual level): rain-life-birth-promise-restoration-fertility-continuity. What, don't you always run that cycle when rain and new life are on the table?...But then there's Hemingway." <br /><br />Foster explains that we must begin to recognize irony. We know from previous chapters that symbols can mean more than one thing. In this case that Foster mentions, Hemingway's character is in a state of despair and thus gets his parade rained on and is in a depressed state. However, this is not an unknown way to look at rain either, rain-sadness-depression-despair-hopelessness-death, etc.<br /> ]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/rain_meaning_sadness_as_well_a.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/rain_meaning_sadness_as_well_a.html</guid>
            
            
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            <pubDate>Fri, 20 Mar 2009 10:00:13 -0500</pubDate>
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<p class="MsoNormal">In Wilder's <i style="">The Skin
of Our Teeth, </i>the characters are truly more bazaar than any I have ever
read about. In act I, a boy who is but 12 years old says,</p>

<p class="MsoNormal">"Telegraph boy: 'Thank you Mrs. Antrobus. Mrs. Antrobus, can
I ask you something else? I have two sons of my own; if the cold gets worse,
what should I do?'"</p>

<p class="MsoNormal">Not only did Wilder bring dinosaurs, and tons of biblical
illusions into his book, but a twelve year old has two children?</p><p class="MsoNormal">I believe this just sets the stage for the rest of the play being as far fetched and out-there as it is, and as I read on, my mind didn't change.</p><p class="MsoNormal">However, the fact that Selena was the maid, quit, and then met Mr. Antrobus and swooned over him so he cheated on his wife, kindof unsettled me. I couldn't tell if it was a flashback (because of the pageant,) or if that is really what Wilder made happen after she left her job.<br /></p>]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_bit_young_to_have_children.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/a_bit_young_to_have_children.html</guid>
            
            
            <pubDate>Tue, 10 Mar 2009 17:02:12 -0500</pubDate>
        </item>
        
        <item>
            <title>Hearts in Gran Torino</title>
            <description><![CDATA["Despite this nearly constant use of the last twenty-eight hundred years, the figure of the heart never overstays its welcome, because it always is welcome. Writers use it because we feel it..." (Foster 208)<br /><br />Foster makes a very good point here. Even in action movies/books, we see that the heart is somehow involved, if even for a small amount of time. <br /><br />In Clint Eastwood's new movie <i>Gran Torino</i> he plays Walt. <br />((SPOILER ALERT))<br /><br />Walt is extremely prejudice against all races, until after his wife dies, he makes friends with his Hmong neighbors. He sticks up for them, helps Tao find work, and gets to the point where they are actually civil to one another. They become such good friends that him and Tao spend time together on a regular basis. When Tao is over one day, Walt coughs up blood (as he does many times in the movie.) How does this fit in? **Coughing up blood is a common sign of heart disease** Walt knows his time is short, and therefore risks his life to make his friends' lives better. other than a biblical illusion or two, (the fact that he sacrifices himself for them, and he is shown lying on the ground the same way Jesus was placed on the cross,) it takes a huge heart to sacrifice your own life for other peoples' lives.<br /><br />What are some other books or movies that you have seen something like this happen?<br />Is it easy for you to pick the parts of them out?<br /> ]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/03/hearts_in_gran_torino.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/03/hearts_in_gran_torino.html</guid>
            
            
            <pubDate>Sun, 08 Mar 2009 17:53:23 -0500</pubDate>
        </item>
        
        <item>
            <title>Preachin&apos; again</title>
            <description><![CDATA[In Chapter 16, Steinbeck's Characters Casy and Tom are alone yet again and we finally hear another time where Casy preaches, not necessarily religiously, but justice and common sense. <br /><br />"'You're fixin' to make a speech," Tom said. "Well, go ahead. I like speeches. Warden used to make speeches all the time... What you tryin' to roll out?' <br />...'They's stuff goin' on and they's folks doin' things. Them people layin' one foot down in front of the other, like you says, they ain't thinkin' where they're goin', like you says--- but they're all layin' 'em down the same direction, jus' the same. An' if ya listen, you'll hear a movin', an' a sneakin', an' a rustlin', an'--an' a res'lessness..."<br /><br />This shows that though Casy left his religious preaching career, he is still a preacher, 'once a preacher always a preacher. However, he is a preacher in a different kindof light. He is trying to get the people (Tom, in this case) to see what may come harder later, that everyone has the same idea, the same dream, so everyone may not be able to achieve it the way they believe they will.<br /><br /><a href="http://jerz.setonhill.edu/EL267/2009/03/steinbeck_the_grapes_of_wrath_1/#comments">Other students' comments on The Grapes Of Wrath</a><br /><div><br /></div>]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/02/preachin_again.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/02/preachin_again.html</guid>
            
            
            <pubDate>Thu, 26 Feb 2009 13:59:19 -0500</pubDate>
        </item>
        
        <item>
            <title>Beginning to Blog- Portfolio One</title>
            <description><![CDATA[Hi guys, my name is Angela Saffer. I am a Childhood Administration major with two ed degrees. Here is my portfolio one, including my progress thus far in American Literature with Dr. Jerz.<br /><br />Until Gatsby was over, I was doing chapter-by-chapter blogs. Then, I realized, I wasn't necessarily doing it 'wrong,' but I was doing <u><i><b>a lot </b></i></u>more work than what was asked of us in the class. Here are <i>some </i>of the blogs that I have done thus far (since I have about 20, I figured I'd cut it down a bit);<br /><br />Coverage<br /> <div><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/the_great_gatsby.html">A Lesson From Father</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/gatsby-_chapter_two.html">Unfaithful</a><br /></div><div><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/gatsby-_chapter_three.html">"Yellow Cocktail Music"</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/gatsby-_chapter_four.html">A Mysterious Man</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/what_a_literature_professor_do.html">You're Near Mushrooms</a><br /><br /></div><div>Timliness<br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/interpretation_of_nothing_gold.html">Nothing Gold Can Stay</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/after_apple_picking.html">After Apple Picking</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/gatsby-_chapter_eight.html">holocaust was complete</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/gatsby-_chapter_nine.html">Blessed are those that the Rain falls on</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/symbolism_causes_foreshadowing.html">Symbolism Causes Foreshadowing</a><br /><br />Interaction (This is my category that is lacking.<br /><a href="../../AngelaSaffer/2009/02/instinct.html#comments">Instinct</a><br /><br />Depth<br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/01/after_apple_picking.html">After Apple Picking</a><br /><a href="http://blogs.setonhill.edu/AngelaSaffer/2009/02/symbolism_causes_foreshadowing.html">Symbolism Causes Foreshadowing</a><br /><br />Discussion<br /><a href="http://blogs.setonhill.edu/ChristopherDufalla/2009/02/originalitystatusdeceased.html">Chris Dufalla on Originality</a><br /><a href="http://blogs.setonhill.edu/ChristopherDufalla/2009/02/spirits_within.html">Chis Dufalla on the Preacher</a><br /></div><div><br /></div>]]></description>
            <link>http://blogs.setonhill.edu/AngelaSaffer/2009/02/insert_portfolio_name_here.html</link>
            <guid>http://blogs.setonhill.edu/AngelaSaffer/2009/02/insert_portfolio_name_here.html</guid>
            
            
                <category domain="http://www.sixapart.com/ns/types#tag">Portfolio one</category>
            
            <pubDate>Tue, 24 Feb 2009 23:14:00 -0500</pubDate>
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