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<dc:date>2006-06-04T12:15:52-05:00</dc:date>
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<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/06/baby_blackbird.html">
<title>Baby Blackbird and Wallace Stevens</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/06/baby_blackbird.html</link>
<description><![CDATA[<p>I know it sounds nerdy, but I jumped at the chance to tag along on my husband's business trip to Hartford, CT last weekend so that I could re-walk the 2 miles that Wallace Stevens used to walk to and from his home on Westerly Terrace to Hartford Accident & Indemnity each day.  I took along my EL 267 text and read some of his work as I walked along through a slightly dicey section of town, complete with panhandlers of various ages and appearances, but with strangely similar tales of needing $$ to buy train tix to get to Groton, CT (???), until I reached a bend in Asylum Road where the city disappers and is replaced by very stately estates and homes.  I have no idea how much things have changed since Stevens passed along these streets, but there were pine trees, a babbling brook, and a definite sense of history, reservedness and privacy.   I had just finished reading "13 Ways of Looking at a Blackbird" when I came across a baby bird that had fallen from its nest onto the sidewalk and was badly cut under its right wing.  The longer I lingered, the more noise there was in the trees above.  I looked up, and saw the rustle of blackbirds in the branches, obviously distressed by my presence and the fall of the young bird.  I pondered "I was of three minds/Like a tree/in which there are three blackbirds".    I had nothing with me to help the bird.  I left the squawking birds and saw a big collared cat cross the road behind me as I walked back toward the city.     </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-06-04T12:15:52-05:00</dc:date>
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<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/05/concluding_blog.html">
<title>Concluding Blog Portfolio</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/05/concluding_blog.html</link>
<description><![CDATA[<p><a title="Portfolio 3 -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014260.php">Portfolio 3 -- Jerz: American Lit II (EL 267)</a>Here's the <a href="http://blogs.setonhill.edu/BrendaChristeleit/">link</a> to my final portfolio.</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-05-04T11:34:14-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/05/closing_portfol.html">
<title>Closing Portfolio</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/05/closing_portfol.html</link>
<description><![CDATA[<p><a title="Portfolio 3 -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014260.php">Portfolio 3 -- Jerz: American Lit II (EL 267)</a>This collection was definitely easier to put together than last time because I knew what to keep in mind as I blogged (It hasn’t escaped me that I can now use the word “blog” in a sentence, which was definitely untrue prior to this term).  As a final note to this semester, I would really like to thank my classmates, Paul Crossman and Megan Ritter, who are unbelievably poised and intelligent despite being so young, as well as all those in the Tues./Thurs. section for their thought-provoking work.  I kept hoping that one of you would be a celebrity guest blogger on Wednesday night, but it wasn’t to be!  Finally, thanks to Dr. Jerz for his motivation, his obvious belief that literature enriches life, and for demonstrating how even a very small class cannot fully explore the layers to many of the works he selected.  I definitely feel like I got my money’s worth, and even though it was a tremendous amount of work, I would recommend his class to others.  I did not place any of my blogs in multiple categories, even though some overlap.  That said, here’s my Portfolio: <br><br></p>

<p>1.<i>Coverage</i>: I submitted a blog on each of the readings: <br><br />
A).<a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/a_lovehate_rela.html">A Love/Hate Relationship</a> - Can't you just taste the frustration?<br />
B).  <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/langston_hughes.html">Langston Hughes</a>: I never heard of Hughes before this class, but I'm already an admirer!<br />
C).  Another blog to pay homage to <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/juke_box_love_s.html">Mr. Hughes</a><br />
D). <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/figures_of_spee.html">Roberts Chapter 8 - Figures of Speech</a> - how boring life would be without them!  <br />
E). Opening thought on <i><a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/first_impressio.html">Good Country People</a></i>.<br />
F). Sometimes, you just need to know what others think.  I needed answers on the whole hitchhiker scene from <i><a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/what_about_the.html">The Life You Save May Be Your Own</a></i>. <br />
G). My<a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/pastoral_by_wil.html"> paper #1</a>.  I thought that I was a decent writer before this class, but in hindisght, I didn't know squat.  I LOVE William Carlos Williams, but even so, this paper in no way wrote itself like my second paper did.    <br />
H). <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/roberts_12probl.html">Roberts Chapter 12 </a>- no comments, but that's OK.</p>

<p>2.<i>Depth</i>:<br><br />
A).  My <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/presentation_ta.html">Presentation Talking Points</a> blog not only helped me sort out some ideas on my own paper, but hopefully provided my classmates with a reminder or what a conparison/contrast essay is all about and refreshed their memory on Literary Expressionism and Rice's <i>The Adding Machine</i>.<br />
B). Expanding on my coverage blog on the same work, "<a href="http://http://blogs.setonhill.edu/BrendaChristeleit/2006/04/flannery_oconno.html">Flannery O'Connor starring in the role of Mrs. Freeman</a>" sparked some good blogging.  <br />
C). An extended <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/thankfulness_co.html">blog </a>on Mrs. Cope from <i>A Circle in the Fire</i> and her proclaimed thankfulness.  <br />
D). Inspired by Lisa'a blog, I kept <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/mr_shiftless_i.html">my ideas</a> about Mr. Shiftlet going.  <br />
E). MY FAVORITE DEPTH<a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/criminalsubcult.html"> BLOG</a>, even though nobody commented (Thomson's <i>The Great Gatsby and the Sims</i>.  <br></p>

<p>3.<i>Interaction</i>:<br><br />
A). <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/list_of_reading.html">List of Readings/Associated Topic</a> blog where I reviewed the entire syllabus in an effort to remind my classmates what topics we covered in conjunction with what works.  Chris and Melissa both thanked me.<br />
B.) <a href="http://blogs.setonhill.edu/MatthewHampton/2006/04/general_disorde.html">Matt Hampton's "A Late Encounter with Blogging</a>": I gleefully discovered that Jen's paper was similar to mine-I respect her abilities immensely, and always enjoy Matt's blogs.  <br />
C). And last but not least: I started an expansive blog thread on <i><a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/had_bevel_lived.html">A Temple of the Holy Ghost</a></i>by comparing the girl to Bevel, and ended up with a great little discussion, which hopefully helped my classmates as mush as it helped me.   <br><br />
4.<i>Discussions</i>:<br><br />
A).<a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/mommy.html"> "Mommy"</a> :  After some give and take with Matt, as well as the classroom exercise about how I would write my auotbiography, I learned to not be so judgmental. <br />
B). <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/forgive_o_lord.html">Forgive O Lord</a>: I received 3 very thoughtful comments on my blog with the same name as the succinct, sharp Frost poem.<br />
C). I'm so glad that the collection ended with <i>The Displaced Person</i> and <i>Good Country People</i> because by the time that I blogged on <i><a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/mercy_me.html">The Artificial Nigger</a></i>, I was dying for something new, as some of my classmates apparently were as well.  <br />
D).<a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/02/who_is_the_most.html">" Who is the Most Careless?"</a> elicited some thoughtful comments from at least 4 others.<br></p>

<p>5.<i>Timeliness</i>:As stated above, none of my blogs were submitted late.  Blogs that led to class discussions were:<br><br />
A). <a href="http://blogs.setonhill.edu/PaulCrossman/2006/04/politics_of_the.html">My comment </a>on Paul's "Politics of the 60's finally has a Point"  (By the way, I don't think that the 60's were "a joke", they just didn't seem that relevant for an 80's kid heavily into English Mama Boy and Big-Hair bands! (Yes, Sting was not always a solo artist).<br />
B). <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/southern_hospit.html">Southern Hospitality</a>, where I took a discussion from the Tues/Thurs section and applied it to Mommy in <i>The Color of Water</i>, not just Flannery O'Connor.<br />
C).  No less than 4 classmates weighed in on Ruby from <i> A stroke of Good Firtune</i>, proof that <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/rubys_quite_a_g.html">my blog</a> was timely (As was my final comment).<br></p>

<p>6.	<i>Xenoblogging</i>:<br><br />
A). Comment Primo:Too bad <a href="http://blogs.setonhill.edu/OnileeSmith/2006/03/a_stroke_of_goo_1.html">Onilee </a>dropped the class, she was an asset, and I enjoyed helping her through the readings, as much as her questions helped me.    Kudos to Jen DiFulvio for her <a href="http://blogs.setonhill.edu/JenniferDiFulvio/2006/04/post.html">blog</a> on <i>Good Country People</i>.  Thanks to <a href="http://blogs.setonhill.edu/ChristopherUlicne/coursework/015580.html">Chris</a> for incorporating the Bble into McBride's <i>The Color of Water</i>.<br><br />
B). Comment Grande: Matt is my blogging hero-he wonders where I find the time, but he's the one churning out the supreme blogs.  Hats off, <a href="http://blogs.setonhill.edu/MatthewHampton/2006/03/a_temple_rent_a.html">Mr. Hampton!</a><br><br />
C). Comment Informative: <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/05/sacrificial_ref.html">The Comment Informative</a>: Expanding on Chris's questions regarding free will and my newly learned concept of felix culpa - also a hats off to Paul.  <br />
Also, I discussed David Hume in light of O'Connor in reply to <a href="http://blogs.setonhill.edu/LisaRandolph/2006/03/oconnor_the_art.html">Lisa'a blog</a>.  Finally, I evoked a prior version of myself in reply to <a href="http://blogs.setonhill.edu/MelissaLupari/2006/04/chapter_12_robe.html">Melissa's blog</a>.  <br><br />
D). The Link Gracious:  <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/03/a_myrtle_by_any.html">Myrtle:</a> Terra's little insight helped!<br></p>

<p>7.	<i>Wildcard</i>:Maybe it was the stress of the last week of classes or maybe I was just tired of hearing that the chances of finding a job in Western PA are exactly slim and none, but I significantly unloaded on this <a href="http://blogs.setonhill.edu/BrendaChristeleit/2006/05/art_advocacywil_1.html">recent NEA article</a>.  Blogging is a lot cheaper than therapy!   </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-05-03T20:38:48-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/05/sacrificial_ref.html">
<title>Sacrificial refraction</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/05/sacrificial_ref.html</link>
<description><![CDATA[<p><a title="Miller, Resurrection Blues (to be published in February) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014257.php">Miller, Resurrection Blues (to be published in February) -- Jerz: American Lit II (EL 267)</a>"HENRI: Mr. Cheeseboro, I have spent a lifetime trying to free myself from the boredom of reality...I am convinced now apart from getting fed, most human activity - sports, opera, TV, movies, dressing up, dressing down-or just going for a walk - has no other purpose than to deliver us into the realm of the imagination" (76).  I'm trying to work this out, but what about religion?  Is FAITH just another entree into imagination? If it is, what else is there?  Is Miller having the last laugh by writing a PLAY?  (Another distraction!)  Henri says that Charley must be crucified because he "still really feels everything" (76) and doesn't flee reality like everyone else involved in their own shallow life.  How interesting, comnig from a playwright.</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-05-03T16:26:02-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/05/art_advocacywil_1.html">
<title>Art Education Advocacy/Wildcard Blog</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/05/art_advocacywil_1.html</link>
<description><![CDATA[<p>I recently attended a seminar sponsored by the PAEA (Pennsylvania Art Education Assoc.) hosted at Mt. Lebanon High School.  The discussion quickly turned to the importance of advocacy to keep the arts in school, and an elementary art teacher from Mt. Lebo expressed her dismay at the recent school board agenda item to consider cut music programs.  Mt. Lebo is arguably one of the most affluent communities surrounding Pittsburgh, but as she explained, 70-75% of the taxpayer base doesn’t have school-age children and would probably resist/resent any tax increase in lieu of program cuts.    </p>

<p>If there is one thing I’ve learned in working toward PA Teacher Certification in Art Education, it’s that any art educator must have a ready stockade of replies to the inevitable: “Art is a nice rest from the <i> important </i>subjects” or “Art Education is a luxury, not a necessity,” and in the age of NCLB, “If it's not on the test, we don't have time to teach it!”  My family is making huge sacrifices for me to attend school, even though there is absolutely no guarantee of a job, or at best, a job that pays a fraction of the salary I previously earned, while constant justification and advocacy will predictably consume any spare moment.  Why would an otherwise sane person make such a decision?  The simple answer is that in order to develop the next generation into creative thinkers, young people <i>need </i>art and <i>need </i>to know that artful activities are important to adults.  There are undoubtedly many students who find special release in art class, and even for those whose interests lie elsewhere, fostering an appreciation of creative processes will be important in their growth toward successful adulthood.    </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-05-01T14:43:29-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/presentation_ta.html">
<title>Presentation Talking Points:</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/presentation_ta.html</link>
<description><![CDATA[<p><a title="Formal Oral Presentations -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014252.php">Formal Oral Presentations -- Jerz: American Lit II (EL 267)</a>Here are some things I hope to cover tonight:</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-26T17:20:07-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/list_of_reading.html">
<title>List of Readings/Associated Topic</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/list_of_reading.html</link>
<description><![CDATA[<p><a title="Roberts, Ch.17 -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014253.php">Roberts, Ch.17 -- Jerz: American Lit II (EL 267)</a>As Roberts suggests, I've tried to relate the readings that we've had throughout the semester with the in-class topic to try and get a little insight into what was expected of us.<br><br />
<u><b>Work</u>       <u>Class Topic</u></b><br><br />
Desert Places                     Historical Context<br />
Mending Wall                      Close Reading<br />
After Apple Picking            Close Reading<br />
The World Trade Center     Reading Poems Aloud<br />
Oster "On Desert Places"   Close Reading/Literary Criticism<br />
Trifles                                Close Rdg/Representations of Reality<br />
BBHH                                 Character/Representations of Reality<br />
The Adding Machine          Expressionism<br />
Stevens/Williams Poems    Poetry Analysis<br />
MLA Style - know how to cite books, articles, sites, etc.<br />
Stevens                            Symbolism & Allusion<br />
Williams                            Poetic Form<br />
Gatsby                             Point of View<br />
Gatsby                            Use of references and tenses in writing<br />
Kumamoto                       Close reading/symbolism/allusion<br />
Gatsby & the Sims          Academic Journal Article<br />
A Good Man is...            Southern Gothic<br />
The River                        Southern Gothic<br />
The Life You Save...      " "<br />
Roberts Chap 18          Demonstrative Research Essays<br />
A Stroke of Good Fortune<br />
A Temple of The Holy Ghost<br />
Roberts Appen.            Critical Theory Workshop<br />
The Artificial Nigger<br />
A Circle in the Fire<br />
A Late Encounter with the Enemy<br />
Good Country People            Ideas and Meanings in Literature<br />
The Displaced Person<br />
Roberts #8                              Writing about an idea or theme<br />
Hughes & Frost                      Writing aboue a problem<br />
The Color of Water                Comparison/Contrast (we spent very little time of this, and instead focused on biographical writing)<br />
         </p>

<p><br />
Some of these works and topics clearly mesh, others don't.  I am just trying to formulate some sample questions as an aid in studying for the final. </p>

<p></p>

<p><br />
</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-22T21:31:34-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/a_lovehate_rela.html">
<title>A Love/Hate Relationship</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/a_lovehate_rela.html</link>
<description><![CDATA[<p><a title="Roberts, Ch. 14 -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014248.php">Roberts, Ch. 14 -- Jerz: American Lit II (EL 267)</a>STEP 2: "...select and articulate a common ground for discussion".  He goes on to suggest that if you are writing a comparison/contrast paper, a good way to get going is to compare character to character, idea to idea, setting to setting etc.  After spending the entire last 2 full days of my life plus any prep work I did last week just trying to get enough mileage out of my Paper #3 thesis, I read this by Roberts and it was like a waiting for the thunder after a lightening flash.  This really, really, really makes sense, and as much as I hate to admit it, I can already see how I'm going to have to revise my paper to avoid the "lumping effect".  Whoever first said "Live & Learn" should be shot!  It's been a lot more like "Don't live & learn" lately. </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-18T20:53:57-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/mommy.html">
<title>Mommy</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/mommy.html</link>
<description><![CDATA[<p><a title="McBride, The Color of Water (1996) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014250.php">McBride, The Color of Water (1996) -- Jerz: American Lit II (EL 267)</a>"It was a devastating realization coming to grips with the fact that all your life you had never really known the person you loved the most" (266).  But James McBride DID know his mother, at least the parts of her that counted, the parts of her that enabled her to raise 12 children with no money, and have those children flourish into adulthood.  Even though they have their place, it was refreshing to not have to worry about "close readings" or symbolism or any of that and just let this family's story unfold through the loving eyes of James McBride.     </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-17T15:24:41-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/southern_hospit.html">
<title>Southern Hospitality</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/southern_hospit.html</link>
<description><![CDATA[<p><a title="McBride, The Color of Water (1996) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014247.php">McBride, The Color of Water (1996) -- Jerz: American Lit II (EL 267)</a>"I always felt that way about the South, that beneath the smiles and Southern hospitality and politeness were a lot of guns and liquer and secrets" (111).  We spoke about this the Tues/Thurs class and a number of classmates commented on the hospitality and manners of Southerners.  Mommy was from Virginia, which is not usually considered deep South, and she relates the other side of life that maybe Northern visitors don't normally get to see. </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-16T09:21:46-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/juke_box_love_s.html">
<title>Juke Box Love Song</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/juke_box_love_s.html</link>
<description><![CDATA[<p><a title="Hughes and Frost -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014242.php">Hughes and Frost -- Jerz: American Lit II (EL 267)</a><br />
<i>I Could take the Harlem night<br />
and wrap around you,<br />
Take the Lenox Avenue busses, <br />
Taxis, subways,<br />
And for your love song tone their rumble down,,,</i></p>

<p>Taking Harlem as a beautiful sensory experience as a present to your girlfriend.  How cool is that! He's giving her a crown of neon, writing her a song out of the rumble of subways and cars and dancing with her until the dawn.  This poem is so lively and energetic, you can't help but smile when you read it. </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-08T20:43:58-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/langston_hughes.html">
<title>Langston Hughes bio</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/langston_hughes.html</link>
<description><![CDATA[<p><a title="Hughes and Frost -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014242.php">Hughes and Frost -- Jerz: American Lit II (EL 267)</a><i>"These poets reinforce Randall Jarrell's assertion that those who have inherited the custom of not reading poetry justify it by referring to the obscurity of the poems they have never read."</i> Roberts just finished telling us all about Hughes' influences: Whitman, Longfellow, etc., then gives us this line.  I don't think that he means obscurity as in "little known", I think that he means "Obscurity" as in "opagueness" or "cloudy", especially when the preceding line about clarity being derived from particular choices instead of "intellectial poverty".   <br />
</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-08T17:53:19-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/forgive_o_lord.html">
<title>(Forgive, O Lord...)</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/forgive_o_lord.html</link>
<description><![CDATA[<p><a title="Hughes and Frost -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014242.php">Hughes and Frost -- Jerz: American Lit II (EL 267)</a><i><br />
Forgive, O Lord, my little jokes on Thee<br />
And I'll forgive Thy big one on me.</i></p>

<p>This sounds like lines from a child's prayer with it's ryhme scheme.  I am fascinated how poets pack their words with so much.  Frost's "The Death of The Hired Man" wasn't as precise.  I also enjoyed "Dust of Snow" on page 210.  It's another version of the adage to "Stop and Smell the Roses".  </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-08T17:20:42-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/roberts_quilt_f.html">
<title>Robert&apos;s Quilt Fends off the Frost</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/roberts_quilt_f.html</link>
<description><![CDATA[<p><a title="Hughes and Frost -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014242.php">Hughes and Frost -- Jerz: American Lit II (EL 267)</a>"Whatever the poet's personal shortcomings...(he was awarded)so many honoary degrees (the list includes Oxford and Cambridge)that he had them sewn together to make a blanket."  No office walls littered with those cheap black acrylic framed for this guy!  I wonder, did Frost say one chilly New England morning, "Honey, my knees are a-knockin', it's soooo chilly in here.  I just can't muster up another trip to those woods for something to burn!  I know!  Hand me that needle and thread so I can stitch these pieces of paper together and cover myself.  What?  They are all of those very important degrees from all of those very important places?  Well, let's put 'em to some use then!".  I love it!</p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-08T12:45:08-05:00</dc:date>
</item>

<item rdf:about="http://blogs.setonhill.edu/BrendaChristeleit/2006/04/roberts_12probl.html">
<title>Roberts #12-Problems</title>
<link>http://blogs.setonhill.edu/BrendaChristeleit/2006/04/roberts_12probl.html</link>
<description><![CDATA[<p><a title="Roberts, Ch. 12 -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014243.php">Roberts, Ch. 12 -- Jerz: American Lit II (EL 267)</a>"A problem is any question that you cannot answer easily and correctly about a body of material that you know."  Sorry to quote the first line of the whole chapter, but it sorta threw me off until I realized that Roberts' "PROBLEM" is really like our "CLAIM" in the whole claim-data-warrant scheme.  By inserting "CLAIM" in place of "PROBLEM" throughout the chapter, I didn't get hung up on the negative connotations of the word 'PROBLEM".  </p>]]></description>
<dc:subject></dc:subject>
<dc:creator>BrendaChristeleit</dc:creator>
<dc:date>2006-04-08T11:00:33-05:00</dc:date>
</item>


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