Jerz: Am Lit I (EL 266)


Oral Interpretation Workshop (posted 22 September 2004)

You don't need to prepare anything for this classroom exercise, which prepares you for the Dickinson & Poe Retro Lit Cover Slam.

I will give a few brief pointers for how to read literature aloud, in ways that help an audience to gain meaning from your voice.

Instructions for Assignment:


  1. Choose 3-4 minutes of literature written by Emily Dickinson and/or Edgar Allen Poe.
  2. You may form a small group and pool your time (6-8 minutes for two, 9-12 minutes for three) in order to present longer sections (such as a Poe short story). If you choose to act out a scene from a short story, feel free to cut narrative lines that are made unnecessary by your performance.

    For instance, Poe writes,

    "I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening, and the old man sprang up in bed, crying out --"Who's there?"
    But you could cut "and the old man sprang up in bed, crying out" and just perform the action and speak the lines as Poe describes them.
  3. Write and print out a blog entry in which you describe two or three significant informed decisions you made while preparing your oral interpretation -- decisions that demonstrate your developing understanding of the text. (If you had to look up a word or consult what scholars say about a particular passage, you are informing yourself. What decisions did you make on the basis of that information?)
    Suggested Blog Entry: Post the full text of your selection, and add hyperlinks that point to information that helped you make sense of various words and images in the passage.

  4. For your own use during class, prepare a script. Mark it up with notes and guides that will help you during your performance. (You might capitalize the words you want to emphasize, and reduce the size of words you want to say quietly. You could insert marks to indicate where you plan to pause for breath, whether you plan to gesture or move around the room.) On your script, write the definitions of unfamiliar words that your author uses... I might ask you to define them after your presentation..
  5. Prepare a clean, legible copy of the work(s) or selection(s) you are going to present. Include the name of the work, the date it was written, where it was first published, and just a few lines about why you chose the work. (Feel free to blog this, as well.) Bring 30 copies on the day you are scheduled to present.
  6. Right before you present, distribute to everyone (including me) clean copies of your text.
  7. After you presentation, hand your script to me. (Make sure it has your name on it.)

Comments & Trackbacks

Amanda, Tiffany, and I would like to do The Bells by Edgar Allen Poe.

Posted by: Diana on September 20, 2004 04:10 PM | Permalink to Comment

I chose these two small poems by Emily Dickinson. I can just do one, but since they were small I wasn't sure.

The Mystery of Pain

Pain has an element of blank;
It cannot recollect
When it began, or if there were
A day when it was not.

It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
New periods of pain.

Much Madness is divinest Sense --
To a discerning Eye --
Much Sense -- the starkest Madness --
'Tis the Majority
In this, as All, prevail --
Assent -- and you are sane --
Demur -- you're straightway dangerous --
And handled with a Chain --


Posted by: Linda Fondrk on September 20, 2004 06:05 PM | Permalink to Comment

Sweet! Thanks Diana for remembering. :-D

Posted by: Amanda on September 20, 2004 06:37 PM | Permalink to Comment

I would like to do Edgar Allan Poe's "Dreamland".

Posted by: NabilaUddin on September 20, 2004 08:21 PM | Permalink to Comment

I would like to do this poem by Dickinson:
YOUR riches taught me poverty.
Myself a millionnaire
In little wealths,—as girls could boast,—
Till broad as Buenos Ayre,

You drifted your dominions 5
A different Peru;
And I esteemed all poverty,
For life’s estate with you.

Of mines I little know, myself,
But just the names of gems,— 10
The colors of the commonest;
And scarce of diadems

So much that, did I meet the queen,
Her glory I should know:
But this must be a different wealth, 15
To miss it beggars so.

I ’m sure ’t is India all day
To those who look on you
Without a stint, without a blame,—
Might I but be the Jew! 20

I ’m sure it is Golconda,
Beyond my power to deem,—
To have a smile for mine each day,
How better than a gem!

At least, it solaces to know 25
That there exists a gold,
Although I prove it just in time
Its distance to behold!

It’s far, far treasure to surmise,
And estimate the pearl 30
That slipped my simple fingers through
While just a girl at school!

Posted by: Katie Aikins on September 21, 2004 10:59 PM | Permalink to Comment

Great to see people staking their claims already. Linda, you might want to find a few more short poems, since I am asking each person to present for 3-4 minutes.

Posted by: Dennis G. Jerz on September 22, 2004 12:00 AM | Permalink to Comment

Here are two more, one of them is a bit longer,will that be enough?

THE sun kept setting, setting still;
No hue of afternoon
Upon the village I perceived,!—
From house to house 't was noon.
The dusk kept dropping, dropping still;
No dew upon the grass,
But only on my forehead stopped,
And wandered in my face.
My feet kept drowsing, drowsing still,
My fingers were awake;
Yet why so little sound myself
Unto my seeming make?
How well I knew the light before!
I could not see it now.
'T is dying, I am doing; but
I'm not afraid to know.


Wild Nights! Wild Nights!
Were I with thee,
Wild Nights should be
Our luxury!

Futile the winds
To a heart in port, --
Done with the compass,
Done with the chart!

Rowing in Eden!
Ah! the sea!
Might I but moor
To-night in Thee!

Posted by: Linda Fondrk on September 22, 2004 10:11 AM | Permalink to Comment

I would like to do For Annie by Edgar Allan Poe.

Posted by: MelissaHagg on September 22, 2004 04:02 PM | Permalink to Comment

I would like to do The Tell Tale Heart by, Edgar Allen Poe. It is a short story (5 pages) but I still may have to cut parts of it out.

Posted by: Jennifer Haun on September 22, 2004 05:53 PM | Permalink to Comment

That would be a great one to share with a classmate, but yes, you can also do a selection.

Posted by: Dennis G. Jerz on September 22, 2004 06:50 PM | Permalink to Comment

i plan on presenting "to one in paradise" by poe, because, well.. i love it.

mike

Posted by: mike sichok on September 22, 2004 10:49 PM | Permalink to Comment

I plan to present "The Raven' By Poe.
Will you suggest that take some parts out but still keep the intergrity?
it's too long!

Posted by: Hui Lin on September 23, 2004 11:32 AM | Permalink to Comment

Instead of presenting "the Raven"I find a short peom which is easier for me to present.
i will do "What if i say i should not wait" by Emily Dickinson

Posted by: Hui Lin on September 25, 2004 12:37 PM | Permalink to Comment

I would like to present an excerpt from Poe's "The Mask of the Red Death"

Posted by: Sarah Elwood on September 26, 2004 11:47 AM | Permalink to Comment

I would like to present Emily DIckinson's "I heard a fly buzz" and "I measure every grief I meet"! Thanks!

Posted by: trisha wehrle on September 26, 2004 02:43 PM | Permalink to Comment

I would like to present Emily Dickson "Going to heaven!"

Posted by: Se-Ann Williams on September 26, 2004 03:19 PM | Permalink to Comment

I would like to present two poems by Emily Dickinson. The first is "Like some old fashioned miracle" the other "We should not mind so small a flower".

Posted by: Zack Harvey on September 26, 2004 04:04 PM | Permalink to Comment

I would like to present two poems by Emily Dickinson, : A fuzzy fellow, without feet" and " The wind begun to rock the grass"

Posted by: Erin Manko on September 26, 2004 07:52 PM | Permalink to Comment

I would like to present "There is a word" and "Poor Little Heart" by Emily Dickinson.

Posted by: Janice Antal on September 26, 2004 07:52 PM | Permalink to Comment

I would like to present, "Annabel Lee," by Poe.

Posted by: Jessica Zelenak on September 27, 2004 04:25 PM | Permalink to Comment

I have a bunch of poems...so nobody better steal them...so don't...blah

Posted by: Stephan Puff on September 27, 2004 11:45 PM | Permalink to Comment

Jennifer Haun
This work was published in 1843
http://www.allpoe.com/tell-tale-heart/6401

I chose this story because it is very dramatic and I can add much enthusiasm with the oral presentation.Some specific things I am planning to do with my presentation are:
I am going to begin my piece pacing because the narrator is very nervous. I will get louder and anxious on parts that end with exclamation points. I will appear angry and disgusted with the vulture-like eye.
The Tell-Tale Heart by Edgar Allan Poe
TRUE! nervous, very, very dreadfully nervous I had been and am; but why WILL you say that I am mad? The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story.

It is impossible to say how first the idea entered my brain, but, once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture -- a pale blue eye with a film over it. Whenever it fell upon me my blood ran cold, and so by degrees, very gradually, I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.

Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded -- with what caution -- with what foresight, with what dissimulation, I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night about midnight I turned the latch of his door and opened it oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern all closed, closed so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly, very, very slowly, so that I might not disturb the old man's sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this? And then when my head was well in the room I undid the lantern cautiously -- oh, so cautiously -- cautiously (for the hinges creaked), I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights, every night just at midnight, but I found the eye always closed, and so it was impossible to do the work, for it was not the old man who vexed me but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed, to suspect that every night, just at twelve, I looked in upon him while he slept.

Upon the eighth night I was more than usually cautious in opening the door. A watch's minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers, of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was opening the door little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea, and perhaps he heard me, for he moved on the bed suddenly as if startled. Now you may think that I drew back -- but no. His room was as black as pitch with the thick darkness (for the shutters were close fastened through fear of robbers), and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.

I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening , and the old man sprang up in the bed, crying out, "Who's there?"

I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed, listening; just as I have done night after night hearkening to the death watches in the wall.

Presently, I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief -- oh, no! It was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself, "It is nothing but the wind in the chimney, it is only a mouse crossing the floor," or, "It is merely a cricket which has made a single chirp." Yes he has been trying to comfort himself with these suppositions ; but he had found all in vain. ALL IN VAIN, because Death in approaching him had stalked with his black shadow before him and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel, although he neither saw nor heard, to feel the presence of my head within the room.

When I had waited a long time very patiently without hearing him lie down, I resolved to open a little -- a very, very little crevice in the lantern. So I opened it -- you cannot imagine how stealthily, stealthily -- until at length a single dim ray like the thread of the spider shot out from the crevice and fell upon the vulture eye.

It was open, wide, wide open, and I grew furious as I gazed upon it. I saw it with perfect distinctness -- all a dull blue with a hideous veil over it that chilled the very marrow in my bones, but I could see nothing else of the old man's face or person, for I had directed the ray as if by instinct precisely upon the damned spot.

And now have I not told you that what you mistake for madness is but over-acuteness of the senses? now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well too. It was the beating of the old man's heart. It increased my fury as the beating of a drum stimulates the soldier into courage.

But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder, every instant. The old man's terror must have been extreme! It grew louder, I say, louder every moment! -- do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me -- the sound would be heard by a neighbour! The old man's hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once -- once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But for many minutes the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.

If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence.

I took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly so cunningly, that no human eye -- not even his -- could have detected anything wrong. There was nothing to wash out -- no stain of any kind -- no blood-spot whatever. I had been too wary for that.

When I had made an end of these labours, it was four o'clock -- still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, -- for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.

I smiled, -- for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search -- search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.

The officers were satisfied. My MANNER had convinced them. I was singularly at ease. They sat and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears; but still they sat, and still chatted. The ringing became more distinct: I talked more freely to get rid of the feeling: but it continued and gained definitiveness -- until, at length, I found that the noise was NOT within my ears.

No doubt I now grew VERY pale; but I talked more fluently, and with a heightened voice. Yet the sound increased -- and what could I do? It was A LOW, DULL, QUICK SOUND -- MUCH SUCH A SOUND AS A WATCH MAKES WHEN ENVELOPED IN COTTON. I gasped for breath, and yet the officers heard it not. I talked more quickly, more vehemently but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why WOULD they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men, but the noise steadily increased. O God! what COULD I do? I foamed -- I raved -- I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder -- louder -- louder! And still the men chatted pleasantly, and smiled. Was it possible they heard not? Almighty God! -- no, no? They heard! -- they suspected! -- they KNEW! -- they were making a mockery of my horror! -- this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! -- and now -- again -- hark! louder! louder! louder! LOUDER! --

"Villains!" I shrieked, "dissemble no more! I admit the deed! -- tear up the planks! -- here, here! -- it is the beating of his hideous heart!"

THE END

Posted by: Jennifer Haun on September 29, 2004 01:50 PM | Permalink to Comment
Post a comment









Remember personal info?