Jerz: Media Aesthetics


24 Feb 2005
Wilde, The Picture of Dorian Gray (Preface)

The artist is the creator of beautiful things.

To reveal art and conceal the artist is art's aim.

The critic is he who can translate into another manner or a new material his impression of beautiful things.

The highest, as the lowest, form of criticism is a mode of autobiography.

Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.

Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty.

There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.

The nineteenth-century dislike of Realism is the rage of Caliban seeing his own face in a glass.

The nineteenth-century dislike of Romanticism is the rage of Caliban not seeing his own face in a glass.

The moral life of man forms part of the subject matter of the artist, but the morality of art consists in the perfect use of an imperfect medium.

No artist desires to prove anything. Even things that are true can be be proved.

No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.

No artist is ever morbid. The artist can express everything.

Thought and language are to the artist instruments of an art.

Vice and virtue are to the artist materials for an art.

From the point of view of form, the type of all the arts is the art of the musician.

From the point of view of feeling, the actor's craft is the type.

All art is at once surface and symbol.

Those who go beneath the surface do so at their peril.

Those who read the symbol do so at their peril.

It is the spectator, and not life, that art really mirrors.

Diversity of opinion about a work of art shows that the work is new, complex, and vital.

When critics disagree the artist is in accord with himself.

We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely.

All art is quite useless.

Oscar Wilde.

(Emphasis added.)

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Trackback Link: http://blogs.setonhill.edu/mt/mt-tb.cgi/1371
Leave the artists alone already!
Excerpt: Some of these sentences in The Picture of Dorian Gray preface made me think. Some of them shocked me. "There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all." This one was a shock to me. Seeing that...
Weblog: ~Bo Bannie Was Here~
Tracked: February 22, 2005 09:54 PM
To Pre-face the face:
The Picture of Dorian Gray preface analysis

Excerpt: Have you ever read something and you are not really sure if the writer's intent is to be sarcastic or serious? I am questioning my impressions of Oscar Wilde's preface in The Picture of Dorian Gray in exactly this manner....
Weblog: Girl Meets World
Tracked: February 22, 2005 11:59 PM
Useful and Useless - It's All the Same to Wilde
Excerpt: In both the preface to The Picture of Dorian Gray and his essay entitled "The Decay of Lying," Oscar Wilde examines the nature of art and what it is that makes art beautiful. In the preface, Wilde offers a series...
Weblog: The Long and Winding Road
Tracked: February 23, 2005 08:54 PM
Dorian Gray Conclusion
Excerpt: Although I thoroughly enjoyed reading The Picture of Dorian Gray, it took me much longer to read this book than it does most. Perhaps it is because as I was reading it I was trying to come up with ideas...
Weblog: The Long and Winding Road
Tracked: February 28, 2005 01:30 AM
Aesthetic Realism
Excerpt: I found this excerpt from the Shelton article very intriguing - in it, Shelton claims that while Oscar Wilde renounced the use of realism in art in his essay "The Decay of Lying," he utilized realism as a means to...
Weblog: The Long and Winding Road
Tracked: March 1, 2005 02:31 PM
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