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<title>A Storybook of Quotes</title>
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<description>The world in quotation marks.</description>
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<title>Reaching for the Stars and Landing on the Moon</title>
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<description>&quot;I&apos;m the one who gets the raspberries!&quot; Susan Alexander Kane (Dorothy Comingore), Citizen Kane...</description>
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<title>The Insane and the Shallow</title>
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<description>&quot;When can I go to the supermarket and buy what I need with my good looks?&quot; Allen Ginsberg, &quot;America,&quot; Howl and Other Poems...</description>
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<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-11-19T22:13:49-05:00</dc:date>
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<title>For the Sake of Comedy</title>
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<description>&quot;Humor in the ghettos and camps was a psychological response to danger and oppression; it functioned as both a coping mechanism and a means of resistance. As a literary device it has lent credibility to witness literature and functioned aesthetically...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-11-15T12:09:53-05:00</dc:date>
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<title>One of the Greatest Films of All Time</title>
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<description>&quot;The historian&apos;s task is complex and demanding: a single word does not explain a man&apos;s life, nor does a newspaper headline, a radio report or a densely composed film frame. All are sources which must be treated with the utmost...</description>
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<dc:creator>Diana Geleskie</dc:creator>
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<title>Reading Actually</title>
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<description>&quot;The truth is that many people everywhere are interested in almost everything.&quot; Steve Wasserman, &quot;Goodbye to All That&quot;...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
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<title>History or Humanity</title>
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<description> Art Spiegelman, Maus I: My Father Bleeds History...</description>
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<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-11-05T21:25:06-05:00</dc:date>
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<title>Of Mice and Men</title>
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<description>&quot;Maus compels us to bear witness in a different way: the very artificiality of its surface makes it possible to imagine the reality beneath.&quot; Newsweek, Review of Art Spiegelman&apos;s Maus...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-11-05T11:00:13-05:00</dc:date>
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<title>Always Living In The Past</title>
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<description>&quot;Even Antoinette&apos;s nostalgic fantasies of community and place seem to guarantee her progression toward Thornfield Hall and madness - a progression toward becoming Bertha Mason.&quot; John J. Su &quot;&apos;Once I Would Have Gone Back . . . But Not Any...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
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<title>Space/Time Continuum</title>
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<description>&quot;As long as Antoinette can remember and order the events of her memories into a temporal or causal sequence, create even an illusion of sequence and maintain a measured space and time, then she can hold her life and self...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
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<title>Narrative Causality</title>
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<description>&quot;The absence of a narrative of causality is precisely what prevents Edward from identifying with her tales and from believing - or even wanting to hear - her side of her mother&apos;s story.&quot; Carine Melkom Mardorossian, &quot;Double (De)Colonization and the...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-10-30T12:04:54-05:00</dc:date>
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<title>Seeing Double</title>
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<description>&quot;Antoinette possesses two doubles in Christophine and Tia, and Rochester finds his own doubles in Daniel Cosway and Sandi.&quot; Robert Kendrick, &quot;Edward Rochester and the Margins of Masculinity in Jane Eyre and Wide Sargasso Sea&quot;...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
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<title>The Romance of Judgement Day</title>
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<description>&quot;Soon we were back in the shifting shadows outside, more beautiful than any perpetual light could be, and soon I learnt to gabble without thinking as the others did. About changing now and the hour of our death for that...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-10-20T20:01:30-05:00</dc:date>
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<title>Making Use of Yourself</title>
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<description>&quot;Summer approached; Diana tried to cheer me: she said I looked ill, and wished to accompany me to the sea-side. This St John opposed; he said I did not want dissipation, I wanted employment; my present life was too purposeless,...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-10-17T11:06:39-05:00</dc:date>
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<title>The Science of Studying Literature</title>
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<description>&quot;The most exciting phrase to hear in science, the one that heralds new discoveries, is not &apos;Eureka!&apos; (I found it!) but &apos;That&apos;s funny ...&apos;&quot; Isaac Asimov (1920-1992)...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
<dc:date>2007-10-11T13:00:01-05:00</dc:date>
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<title>Harsh Temper</title>
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<description>&quot;&apos;Give me back nine pounds, Jane; I&apos;ve a use for it.&apos; &apos;And so have I, sir,&apos; I returned, putting my hands and my purse behind me. &apos;I could not spare the money on any account.&apos; &apos;Little niggard!&apos; said he, &apos;refusing...</description>
<dc:subject>EL237</dc:subject>
<dc:creator>Diana Geleskie</dc:creator>
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