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    <title>RebeccaMarrie</title>
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    <id>tag:blogs.setonhill.edu,2007-09-08:/RebeccaMarrie//506</id>
    <updated>2009-05-03T21:16:51Z</updated>
    
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<entry>
    <title>Personal Growth Through Blogging</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/05/personal_growth_through_bloggi.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31901</id>

    <published>2009-05-01T19:40:33Z</published>
    <updated>2009-05-03T21:16:51Z</updated>

    <summary>Throughout this semester, Dr. Jerz (my professor for American Literature 1915-present at Seton Hill University), has emphasized the importance of blogging.  From novels, to poems, to academic articles - I&apos;ve blogged on a multitude of diverse genres of writing on...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
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        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px">Throughout this semester, Dr. Jerz (my professor for American Literature 1915-present at Seton Hill University), has emphasized the importance of blogging.  From novels, to poems, to academic articles - I've blogged on a multitude of diverse genres of writing on numerous topics.  Though it was not always enjoyable, in fact, at times it could feel like a waste of time, I do not regret writing a single one of my blogs.  Through them, I was provided the opportunity to post my own original thoughts in the well-respected Seton Hill Blog for anyone to read online.<span style="letter-spacing: 0.0px"></span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">The most rewarding part of the entire blogging assignments was the commenting.  My class was obligated to comment on at least two fellow classmates blogs for each literary work.  Thus, it was almost guaranteed that each person's blog would receive at least one comment.  I always looked forward to checking mine before class and reading my peers views about my own written opinion.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">After all of the commenting before class each week, I felt adequately prepared to participate in class discussion.  Not only did I hold my own personal opinion about the novel, but rather I held an view formed from the various insightful blogs of my peers.  Through this constant blogging and commenting, I began to look at literary works from different points of view, not just my own, and thus I grew to understand the work on a deeper level.</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">However, blogging did not just affect my views on literature.  I learned to be more open-minded and receptive to other people's opinions.  The way in which I interpret something is not always the so-called correct way.  Rather, there is no one particular correct opinion to any topic, but instead many diverse interpretations that, when put together, can form a broad and widely accepted idea.</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">On that note, here is my second portfolio of the blogging.  My blogs for this<span class="Apple-style-span" style="font-family: arial; font-size: 13px; "> half of the semester fall under 5 categories: coverage, timeliness, interactions, depth, and discussion.  </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><span class="Apple-style-span" style="font-weight: bold;">Coverage</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Many of my blogs throughout this semester contained adequate "coverage" of the assigned literary works.  These entries consisted of a direct quote, an identified source of the quote, and links back to the course webpage devoted to that reading.  Here are a few of my entries which best exemplify my understanding of the concept of coverage:</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/keep_it_simple.html" style="text-decoration: underline; ">Keep it Simple</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/the_meek_and_mild_mushroom.html">The Meek and Mild Mushroom</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/mt/mt.cgi?__mode=view&amp;_type=entry&amp;id=31632&amp;blog_id=506">Eloquence in the Invisible Man</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/you_cant_fight_fate.html">You Can't Fight Fate</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px; font-weight: bold; ">Timeliness</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">I admit, this was a tough criteria to keep to this semester.  Along with the enormous amount of homework presented in my other class (especially organic chemistry), as well as while trying to fulfill my own personal endeavor (which may actually work out!), I found it nearly impossible to post all of my blogs by the Friday before class.  However, I did manage to blog them before class, usually during the weekend, and thus I was adequately prepared for each class. Here are some of my earlier posted blogs:</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/02/more_biblical_imagery_in_the_g.html">More Biblical Imagery in the Grapes of Wrath</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/forget_the_future_live_in_the.html">Forget the Future, Live in the Past</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/thesis.html">Thesis?</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/beating_time.html">Beating Time</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/1369.html">1,369?</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><span class="Apple-style-span" style="font-weight: bold;">Interaction</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px; font-weight: bold;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px; ">This is one topic which I noticeably improved with since last semester.  Though I was at one time hesitant to respond to my peer's comments, I finally grew confidant enough to respond to their feedback about my blogs.  Here are some examples of my newfound confidence:</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/a_play_thats_anti-illusion.html">A Play That's Anti-Illusion</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/keep_it_simple.html">Keep it Simple</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/blatantly_obviousand_i_loved_i.html">Blatantly Obvious...And I Loved It!</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><span class="Apple-style-span" style="font-weight: bold;">Depth</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Writing more complex, thoughtful blogs was another task which I successfully accomplished this semester.  Rather than simple summaries of the literary work, I insightfully wrote intellectual, thought-provoking blog entries which often used other sources besides the assigned work. Here are some of the blogs which best exemplify my concentration on depth:</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/02/more_biblical_imagery_in_the_g.html">More Biblical Imagery in the Grapes of Wrath</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/a_play_thats_anti-illusion.html">A Play That's Anti-Illusion</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/forget_the_future_live_in_the.html">Forget the Future, Live in the Past</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/the_media_has_made_sex_the_nor.html">The Media Has Made Sex the Norm</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/manners_in_1918.html">Manners in 1918</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/black_man_bank.html">Black Man Bank</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><span class="Apple-style-span" style="font-weight: bold;">Discussion</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px; font-weight: bold;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Throughout this semester, I took great pride in the comments I left on my peers blogs.  Rather than simply writing "you did a good job," I either agreed with or challenged theirs views.  Regardless of my opinion about their blog, I always followed with evidence for why I felt the way I did.  Here are some of my classmates blogs which contain my favorite comments that I wrote:</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Chelsie Bitner's <a href="http://blogs.setonhill.edu/ChelsieBitner/2009/03/save_the_family.html">Save the Family</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Joshua Wilk's <a href="http://blogs.setonhill.edu/JoshuaWilks/2009/04/crucified.html">Crucified</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Mathew Henderson's <a href="http://blogs.setonhill.edu/MatthewHenderson/2009/04/arthur_millers_funny_now.html">Arthur Miller's funny now?</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Juli Banda's <a href="http://blogs.setonhill.edu/JulianneBanda/2009/03/imagination_is_key.html">Imagination is Key</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Nikita McClellan's <a href="http://blogs.setonhill.edu/NikitaMcClellan/2009/03/throw_away_everything_you_lear.html">Throw Away Everything You Learned</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;">Overall, this course has been one of my favorites throughout my freshman year at college.  For the first time in my life, I did not have someone teach me the course material.  Rather, I interpreted literary works on my own and then combined my views along with those of my classmates to come to an insightful analysis of numerous books, scholarly articles, and poems.  I am so fortunate to have had the opportunity to learn as an intellectual, not just a student.  This class will challenge you in ways you've never dreamed.  Prepare to work hard, and the rewards you will reap in the end will be well-worth the effort.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span class="Apple-style-span" style="font-family: arial; font-size: 13px;"><a href="http://jerz.setonhill.edu/EL267/2009/05/portfolio_2/">TrackBack</a></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p> ]]>
        
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<entry>
    <title>Blatantly Obvious...And i Loved It!</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/blatantly_obviousand_i_loved_i.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31876</id>

    <published>2009-04-26T01:04:42Z</published>
    <updated>2009-04-26T12:58:25Z</updated>

    <summary>So, after reading every book in this course, I can honestly say that this was my favorite.  It kept me intrigued from the moment I began until I ended.  In fact, I was hoping that it wouldn&apos;t end, because I...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<div>So, after reading every book in this course, I can honestly say that this was my favorite.  It kept me intrigued from the moment I began until I ended.  In fact, I was hoping that it wouldn't end, because I just wanted to keep reading.  I realize that this might sound strange.  I mean, the novel wasn't exceptionally well-known and it certainly wasn't a classic.  But, what made this novel unique from others in the course is that it didn't have any hidden undertones.  It was blatantly obvious in its depiction of how society would react to a modern day Jesus.  <div><br class="webkit-block-placeholder" /></div><div>From the many blogs which I have written throughout this course, I find that the main topic in which I am interested is religion, specifically, the Catholic faith.  In <span class="Apple-style-span" style="text-decoration: underline; -webkit-text-decorations-in-effect: underline; ">Resurrection Blues</span>, there was no need to close-read to find religious characters in the novel.  Rather, the entire plot throughout the novel portrayed Ralph as a modern-day Jesus.  The "magic" which Ralph performed, his dedicated followers, and the many people who wanted to see him crucified, was purposefully and obviously paralled to Jesus' own life.</div><div><br /></div><div>Did anyone else enjoy the obvious aspect of the novel?  Did you find this one more enjoyable to read because it was less thinking and easier to "go with the flow"?</div><div><br class="webkit-block-placeholder" /></div><div><br class="webkit-block-placeholder" /></div><div><a href="http://jerz.setonhill.edu/EL267/2009/04/miller_resurrection_blues/index.php#comment-14618">TrackBack</a></div></div><div><br class="webkit-block-placeholder" /></div>]]>
        
    </content>
</entry>

<entry>
    <title>The Media Has Made Sex the Norm</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/the_media_has_made_sex_the_nor.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31816</id>

    <published>2009-04-20T19:17:33Z</published>
    <updated>2009-04-20T19:34:11Z</updated>

    <summary>As I read Chapter 16 in How to Read Literature Like a Professor, it affected me in a rather personal way.  Yes, sex has been an element of the media since practically the beginning of time.  However, today&apos;s novels, movies,...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[As I read Chapter 16 in <span class="Apple-style-span" style="text-decoration: underline;">How to Read Literature Like a Professor</span>, it affected me in a rather personal way.  Yes, sex has been an element of the media since practically the beginning of time.  However, today's novels, movies, television shows, newspapers, magazines, and internet sites take it to a whole new level.  No longer are sexual references subliminal messages, but rather they are blatantly obvious - especially to the eyes and ears of impressionable children and teenagers.  The media has enabled sex to take on new dimensions in society.  Premarital sex, contrary to actually waiting until marriage for sexual relations, is the norm.  STD's and abortion are all the more common "side effects" of the sexual epidemic scouring the world.  Sex is everywhere, and as each year passes, children become less and less naive to the inappropriate actions occurring everywhere, both in real life and in the fictional world.  Thus,  pre-teens and teens no longer view sexual relations as unnecessary for their age, but rather a fundamental part of life.  They don't understand that sex is a "big deal" that the consequences can be life-altering.<div><br class="webkit-block-placeholder" /></div><div>However, this mass chaos which media has managed to wreak on society shows no signs of slowing down.  We are in over our heads, and sex will never be regarded with the same dignity and respect it did many years ago.  </div><div><br class="webkit-block-placeholder" /></div><div><a href="http://jerz.setonhill.edu/EL267/2009/04/foster_ch_15-17/">Trackback</a></div>]]>
        
    </content>
</entry>

<entry>
    <title>You Can&apos;t Fight Fate</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/you_cant_fight_fate.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31812</id>

    <published>2009-04-20T16:56:27Z</published>
    <updated>2009-04-20T18:06:39Z</updated>

    <summary>An obvious and heavily implied notion within the novel A Time Traveler&apos;s Wife is that fate cannot be changed.  Regardless of the fact that Henry can travel through time, he is still frustratingly unable to change any of the events...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px; ">An obvious and heavily implied notion within the novel <span class="Apple-style-span" style="text-decoration: underline;">A Time Traveler's Wife</span> is that fate cannot be changed.  Regardless of the fact that Henry can travel through time, he is still frustratingly unable to change any of the events which he witnesses.  Everything, both good and bad, that ever happened was supposed to happen exactly as it did, and there's not a single act which he could take to prevent it from occurring. </span><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px; ">Many people, not just the fictional character Henry would like to travel back into the past and rewind the past to change the outcome of certain life experiences, whether it be a car accident, the loss of a friendship, or the death of a parent.  However, <span class="Apple-style-span" style="text-decoration: underline;">The Time Traveler's Wife</span> does not embellish this desire.  Rather, it explores the relationship between humanities' free will and the power that God has in our lives.  </span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">Page 57 especially exemplifies this concept:</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">"'I was just talking about that with a self from 1992.  He said something interesting: he said that he thinks there is only free will when you are in time, in the present.  He says in the past we can only do what we did , and we can only be there if we were there.'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">'But whenever I am, that's my present.  Shouldn't I be able to decide -'      </span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">'No. Apparently not.'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">'What did he say about the future?'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">'Well, think.  You go to the future, you do something, you come back to the present.  Then the thing that you did is part of your past.  So that's probably inevitable, too.'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">'...But then I'm no responsible for anything I do while I'm not in the present.'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">He smiles. ' Thank God.'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px; ">'And everything has already happened?'</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;">'Sure looks that way.' But he said you have to behave as though you have free will, as though you are responsible for what you do.'"</span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px; ">Through this quote, as well as through a multitude of other similar ones within the novel, <span class="Apple-style-span" style="text-decoration: underline; -webkit-text-decorations-in-effect: underline; ">The Time Travelers Wife</span> sends us a often-forgotten reminder that our past experiences and choices, whether good or bad, have made us the person who we are today.  </span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><br class="webkit-block-placeholder" /></span></div><div><div><div><div><div><div><span class="Apple-style-span" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 16px; line-height: 19px;"><a href="http://jerz.setonhill.edu/EL267/2009/04/niffenegger_the_time-travelers/">Trackback</a></span></div></div></div></div></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Hopefully This Article Will Live Forever</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/hopefully_this_article_will_li.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31644</id>

    <published>2009-04-07T12:48:28Z</published>
    <updated>2009-04-07T12:53:43Z</updated>

    <summary>Angle: Helpful hints to ensure you get along with your roomate(s) - How to act- How to speakPeople I can Interview by next week:- Aja Hannah- Melissa Unger- Kaitlin Clancey- Brittni Spillar- Katie LancePeople I am also interested in interviewing:-...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[Angle: Helpful hints to ensure you get along with your roomate(s) <div>- How to act</div><div>- How to speak</div><div><br class="webkit-block-placeholder" /></div><div>People I can Interview by next week:</div><div>- Aja Hannah</div><div>- Melissa Unger</div><div>- Kaitlin Clancey</div><div>- Brittni Spillar</div><div>- Katie Lance</div><div><br class="webkit-block-placeholder" /></div><div>People I am also interested in interviewing:</div><div>- Justin Ryan (RA)</div><div>- Lauren Schoemaker (RA)</div><div>- Keisha Jimmerson</div><div><br class="webkit-block-placeholder" /></div><div>Sidebar:</div><div>- Events on campus you can partake in with your roomate(s)</div><div><br class="webkit-block-placeholder" /></div><div><a href="http://jerz.setonhill.edu/EL200/2009/04/story_pitches_1/">TracBac</a></div>]]>
        
    </content>
</entry>

<entry>
    <title>Media Lab Portfolio 3</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/media_lab_portfolio_3.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31643</id>

    <published>2009-04-07T12:42:57Z</published>
    <updated>2009-04-07T12:45:41Z</updated>

    <summary>Part ALast Minute Delivery   A simple miscommunication error led to unnecessarily hectic day for the Setonian Newspaper Staff at Seton Hill University. At 10:27 AM on Thursday, April 2, and urgent email had caused mass chaos throughout Seton Hill...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Part A</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Last Minute Delivery</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  A simple miscommunication error led to unnecessarily hectic day for the Setonian Newspaper Staff at Seton Hill University. At 10:27 AM on Thursday, April 2, and urgent email had caused mass chaos throughout Seton Hill University.  Students following the instructions to "...stop by in the post office and grab a stack [of newspapers]," were in for a shock when they arrived at the appointed location to pick up the papers for delivery.  </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  "I was flabbergasted when I followed the email's exact instructions, and upon arrival, none were there!" exclaimed freshman staff writer Christina Celona.  "I felt helpless, like a part of me was missing. I didn't know if they were stolen, but even if they were, I was too stunned to even remember who to report this incident to."</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Similar occurrences happened to two other members of the Setonian Staff, freshman copy editors Melissa Unger and Becca Marrie. However, they took this incident with a slightly different attitude - neither was in the least bit surprised. </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  "I actually fully expect The Setonian to make mistakes due to disorganization," said Unger. "When I didn't find the newspapers at the post office, I just assumed that they had been delivered somewhere else and that I would find out about it eventually. I was not overly worried."  </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  A follow-up email, sent 12:29 PM, cleared up all confusion for the staff members. The Setonian editor-in-chief, Tiffany Gilbert deeply apologized for any inconvenience caused by the false information. In the email, Gilbert stated "...I fibbed when I said the paper is at the post office.  It was actually delivered outside of the Setonian office.  Drop by sometime today if you can and help distribute."</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  Within a half-hour of the apologetic email, the stack of newspapers had dwindled down after being successfully distributed to their variety of locations including the bookstore, DeChantal, Brownlee, Havey, Lowe, and Maura. </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  Celona and Marrie delivered a package together to the bookstore.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">"I'm so glad we finally got this whole mess figured out," said Celona. "i hope I never have to feel that helpless feeling that I did a short time ago."</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  Marrie, however, had other concerns on her mind.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">  "I hope I don't drop this huge stack of papers," said Marrie.  "Though I guess it would make a good story for my media lab portfolio...'1200 Page Pick-Up.'"   </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Part B</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">For my work on the Setonian Online, i have continued to accumulate more nutrition facts for our class project.  Hopefully, soon I will get to put these to good use. </p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px">            </span></p> ]]>
        
    </content>
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<entry>
    <title>Eloquence in Invisible Man</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/eloquence_in_invisible_man_3.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31632</id>

    <published>2009-04-05T20:13:16Z</published>
    <updated>2009-04-06T20:59:15Z</updated>

    <summary>In his essay, Hanlon compares Ralph Waldo Emerson&apos;s &quot;Eloquence&quot; and Ralph Ellison&apos;s Invisible Man.  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison&apos;s novel.  It surprised me deeply to...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy; ">In his essay, Hanlon compares Ralph Waldo Emerson's "Eloquence" and Ralph Ellison's <span class="Apple-style-span" style="text-decoration: underline; -webkit-text-decorations-in-effect: underline; ">Invisible Man.</span>  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison's novel.  It surprised me deeply to find that "Eloquence" was actually an essay written by Emerson.  I was legitimately disturbed that the Hanlon was comparing to works, for, as it seems to me, no other reason than the fact that the authors names are incredibly similar.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;">However, once I got passed the seemingly shallow reasoning for writing an article such as this, I was able to actually enjoy it.  This article was a much easier read than the last assigned one and I felt like I understood the majority of it.  </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><span class="Apple-style-span" style="font-family: Times; "></span></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">"Emerson's model of spoken composition, proceeding from the recogni</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "><span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">tion that every hstener is also a potential speaker ("How many orators sit</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">mute there below!" [1903-04, 7. 63]), also captures the most charged</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">moments of eloquence t<span class="Apple-style-span" style="font-family: Times; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">o appear in Ralph Ellison's</span><i><span class="Apple-style-span" style="font-family: -editor-proxy; "> Inuisible Man,</span></i><span class="Apple-style-span" style="font-family: -editor-proxy; "> a novel that</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">measures the self-reliance of its nameless protagonist through his growing</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-size: 11px; ">acumen as a public speaker."</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">This quote seems to relate both works by using a common concept of both, nameless speakers.  In the <span class="Apple-style-span" style="text-decoration: underline;">Invisible Man</span>, the narrator makes himself known through his words, not through who he actually is.  </span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">Though this was undeniably still difficult to read, made significantly more sense than the last essay.</span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><a href="http://jerz.setonhill.edu/EL267/2009/04/academic_article_1/">TrackBack</a></span></p><div><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></div><p></p><p></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Eloquence in Invisible Man</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/eloquence_in_invisible_man_2.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31631</id>

    <published>2009-04-05T20:13:16Z</published>
    <updated>2009-04-06T20:54:06Z</updated>

    <summary>In his essay, Hanlon compares Ralph Waldo Emerson&apos;s &quot;Eloquence&quot; and Ralph Ellison&apos;s Invisible Man.  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison&apos;s novel.  It surprised me deeply to...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy; ">In his essay, Hanlon compares Ralph Waldo Emerson's "Eloquence" and Ralph Ellison's <span class="Apple-style-span" style="text-decoration: underline; -webkit-text-decorations-in-effect: underline; ">Invisible Man.</span>  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison's novel.  It surprised me deeply to find that "Eloquence" was actually an essay written by Emerson.  I was legitimately disturbed that the Hanlon was comparing to works, for, as it seems to me, no other reason than the fact that the authors names are incredibly similar.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;">However, once I got passed the seemingly shallow reasoning for writing an article such as this, I was able to actually enjoy it.  This article was a much easier read than the last assigned one and I felt like I understood the majority of it.  </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><span class="Apple-style-span" style="font-family: Times; "><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">"Emerson's model of spoken composition, proceeding from the recogni</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "><span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">tion that every hstener is also a potential speaker ("How many orators sit</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">mute there below!" [1903-04, 7. 63]), also captures the most charged</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">moments of eloquence t<span class="Apple-style-span" style="font-family: Times; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">o appear in Ralph Ellison's</span><i><span class="Apple-style-span" style="font-family: -editor-proxy; "> Inuisible Man,</span></i><span class="Apple-style-span" style="font-family: -editor-proxy; "> a novel that</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">measures the self-reliance of its nameless protagonist through his growing</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-size: 11px; ">acumen as a public speaker."</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">This quote seems to relate both works by using a common concept of both, nameless speakers.  In the <span class="Apple-style-span" style="text-decoration: underline;">Invisible Man</span>, the narrator makes himself known through his words, not through who he actually is.  </span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">Though this was undeniably still difficult to read, made significantly more sense than the last essay.</span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><div><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></div></span></span></p></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Eloquence in Invisible Man</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/eloquence_in_invisible_man_1.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31630</id>

    <published>2009-04-05T20:13:16Z</published>
    <updated>2009-04-06T20:54:02Z</updated>

    <summary>In his essay, Hanlon compares Ralph Waldo Emerson&apos;s &quot;Eloquence&quot; and Ralph Ellison&apos;s Invisible Man.  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison&apos;s novel.  It surprised me deeply to...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy; ">In his essay, Hanlon compares Ralph Waldo Emerson's "Eloquence" and Ralph Ellison's <span class="Apple-style-span" style="text-decoration: underline; -webkit-text-decorations-in-effect: underline; ">Invisible Man.</span>  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison's novel.  It surprised me deeply to find that "Eloquence" was actually an essay written by Emerson.  I was legitimately disturbed that the Hanlon was comparing to works, for, as it seems to me, no other reason than the fact that the authors names are incredibly similar.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;">However, once I got passed the seemingly shallow reasoning for writing an article such as this, I was able to actually enjoy it.  This article was a much easier read than the last assigned one and I felt like I understood the majority of it.  </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><span class="Apple-style-span" style="font-family: Times; "><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">"Emerson's model of spoken composition, proceeding from the recogni</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "><span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">tion that every hstener is also a potential speaker ("How many orators sit</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">mute there below!" [1903-04, 7. 63]), also captures the most charged</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">moments of eloquence t<span class="Apple-style-span" style="font-family: Times; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">o appear in Ralph Ellison's</span><i><span class="Apple-style-span" style="font-family: -editor-proxy; "> Inuisible Man,</span></i><span class="Apple-style-span" style="font-family: -editor-proxy; "> a novel that</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">measures the self-reliance of its nameless protagonist through his growing</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-size: 11px; ">acumen as a public speaker."</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">This quote seems to relate both works by using a common concept of both, nameless speakers.  In the <span class="Apple-style-span" style="text-decoration: underline;">Invisible Man</span>, the narrator makes himself known through his words, not through who he actually is.  </span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">Though this was undeniably still difficult to read, made significantly more sense than the last essay.</span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><div><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></div></span></span></p></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Eloquence in Invisible Man</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/eloquence_in_invisible_man.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31629</id>

    <published>2009-04-05T20:13:16Z</published>
    <updated>2009-04-06T20:53:57Z</updated>

    <summary>In his essay, Hanlon compares Ralph Waldo Emerson&apos;s &quot;Eloquence&quot; and Ralph Ellison&apos;s Invisible Man.  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison&apos;s novel.  It surprised me deeply to...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy; ">In his essay, Hanlon compares Ralph Waldo Emerson's "Eloquence" and Ralph Ellison's <span class="Apple-style-span" style="text-decoration: underline; -webkit-text-decorations-in-effect: underline; ">Invisible Man.</span>  I must admit, at first glance I had thought that this essay would be about the use of eloquence in Elllison's novel.  It surprised me deeply to find that "Eloquence" was actually an essay written by Emerson.  I was legitimately disturbed that the Hanlon was comparing to works, for, as it seems to me, no other reason than the fact that the authors names are incredibly similar.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;">However, once I got passed the seemingly shallow reasoning for writing an article such as this, I was able to actually enjoy it.  This article was a much easier read than the last assigned one and I felt like I understood the majority of it.  </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><br /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Times"><span class="Apple-style-span" style="font-family: -editor-proxy;"><span class="Apple-style-span" style="font-family: Times; "><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">"Emerson's model of spoken composition, proceeding from the recogni</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "><span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">tion that every hstener is also a potential speaker ("How many orators sit</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">mute there below!" [1903-04, 7. 63]), also captures the most charged</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">moments of eloquence t<span class="Apple-style-span" style="font-family: Times; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">o appear in Ralph Ellison's</span><i><span class="Apple-style-span" style="font-family: -editor-proxy; "> Inuisible Man,</span></i><span class="Apple-style-span" style="font-family: -editor-proxy; "> a novel that</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-family: Times; font-size: 11px; "><span class="Apple-style-span" style="font-family: -editor-proxy; ">measures the self-reliance of its nameless protagonist through his growing</span><span style="font: normal normal normal 12px/normal Helvetica; "><span class="Apple-style-span" style="font-family: -editor-proxy; "> <span class="Apple-style-span" style="font-size: 11px; ">acumen as a public speaker."</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">This quote seems to relate both works by using a common concept of both, nameless speakers.  In the <span class="Apple-style-span" style="text-decoration: underline;">Invisible Man</span>, the narrator makes himself known through his words, not through who he actually is.  </span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;">Though this was undeniably still difficult to read, made significantly more sense than the last essay.</span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><p style="font: normal normal normal 11px/normal Times; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 1em; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; "><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></p><div><span class="Apple-style-span" style="font-family: -editor-proxy;"><br class="webkit-block-placeholder" /></span></div></span></span></p></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Black Man Bank</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/04/black_man_bank.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31601</id>

    <published>2009-04-05T13:15:41Z</published>
    <updated>2009-04-05T13:36:08Z</updated>

    <summary> &quot;. . . the cast-iron figure of a very black, red-lipped and wide-mouthed Negro . . . stared up at me from the floor, his face an enormous grin, his single large black hand held palm up before his chest....</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<span class="Apple-style-span" style="font-size: 12px; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "> ". . . the cast-iron figure of a very black, red-lipped and wide-mouthed Negro . . . stared up at me from the floor, his face an enormous grin, his single large black hand held palm up before his chest. It was a bank, a piece of early Americana, the kind of bank which, if a coin is placed in the hand and a lever pressed upon the back, will raise its arm and flip the coin into the grinning mouth."</span> <div><span class="Apple-style-span" style="font-size: 12px; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="font-size: 12px; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; ">This passage from Chapter Fifteen describes the coin bank that the narrator finds at Mary's right before he leaves to join the Brotherhood. Ellison uses this coin bank to symbolize the harmful racial stereotypes that the narrator has unsuccessfully tried to escape. This figure represents the obedient slave who is eager to entertain white people by, performing pet-like tricks for them.  Also, the bank portrays  a black man as an object - a decoration and a trivial toy to be played with and used by white people. After the narrator leaves, he becomes frustrated, unable to rid himself of this degrading coin bank. Thus, the bank illustrates another aspect of stereotype - it's stubborn way of following a person throughout his or her life.</span></span></div><div><span class="Apple-style-span" style="font-size: 12px; line-height: 18px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="font-size: 12px; line-height: 18px;"><a href="http://jerz.setonhill.edu/EL267/2009/04/ellison_the_invisible_man_1/">Trackback</a></span></div>]]>
        
    </content>
</entry>

<entry>
    <title>1,369?</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/1369.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31499</id>

    <published>2009-03-30T12:35:17Z</published>
    <updated>2009-03-30T12:48:40Z</updated>

    <summary>In the prologue, did anyone else find the amount of lighting which the invisible man stole to be rather excessive?  1,369 bulbs for a shut-off section of a basement?  Personally, I think that this large amount of light was used to...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[In the prologue, did anyone else find the amount of lighting which the invisible man stole to be rather excessive?  <span class="Apple-style-span" style="font-size: 12px; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "><span class="small-caps" style="font-variant: small-caps; ">1,369</span> bulbs for a shut-off section of a basement?  Personally, I think that this large amount of light was used to make the narrator "visible" to the electric company authorities.  Also, the narrator also attempts to use this light, to "see" himself more clearly without the ever- louding influence of outside opinion. I also researched this number and found that <span class="small-caps" style="font-variant: small-caps; ">1,369</span> is the square of thirty-seven, which was Ellison's age at the time of writing, thus tying the narrator's experience to Ellison's own sense of self.  What do you guys think the purpose of the excessive amount of lighting was?</span> <div><span class="Apple-style-span" style="font-size: 12px; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><br class="webkit-block-placeholder" /></span></div><div><span class="Apple-style-span" style="font-size: 12px; line-height: 18px; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"><a href="http://jerz.setonhill.edu/EL267/2009/03/ellison_the_invisible_man/">Trackback</a></span></div>]]>
        
    </content>
</entry>

<entry>
    <title>Daunting and Overwhelming, Yet Still and Improvement</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/daunting_and_overwhelming_yet.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31444</id>

    <published>2009-03-25T14:34:22Z</published>
    <updated>2009-03-25T15:06:23Z</updated>

    <summary>Your Setonian Online mockup is undeniably an improvement from the present Setonian Online.  I love the heading, especially the colors and the griffin.  However, I feel like the webpage is a little too jumbled and will be rather frustrating for...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[Your Setonian Online mockup is undeniably an improvement from the present Setonian Online.  I love the heading, especially the colors and the griffin.  However, I feel like the webpage is a little too jumbled and will be rather frustrating for a reader to navigate.  There's little "blank" space throughout the entire page, and I think the large amount of words will overwhelm the reader.  I went to some online newspaper website and found a few whose format could be used to make the Setonian Online a little more user friendly than the mockup. <div><br class="webkit-block-placeholder" /></div><div>Florida's <a href="http://www.cedarkeynews.com/">Cedar Key's News</a>  has an interesting, colorful layout that's incredibly simple to navigate. </div><div><br class="webkit-block-placeholder" /></div><div>North Dakota's <a href="http://www.tiogand.com/?id=35">TiogaTribune</a> enables readers to view news in an extremely organized, eye-appealing fashion.  </div><div><br class="webkit-block-placeholder" /></div><div>California's <a href="http://www.evergreentimes.com/">Evergreen Times</a> has a ton of pictures, which will immediately draw in readers, and very noticeable advertising.  Also, it has enough space to encourage the reader to navigate the website without feeling overwhelmed.</div><div><div><br class="webkit-block-placeholder" /></div><div>Overall, I think the Setonian Online mockup is an excellent start to our internet project, but we definitely have a lot of work ahead of us to make it user friendly.</div><div><br class="webkit-block-placeholder" /></div><div><a href="http://jerz.setonhill.edu/EL200/2009/03/mockup_for_setonian_online/">Trackback</a></div><div><br class="webkit-block-placeholder" /></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>Media Lab Portfolio 2</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/media_lab_portfolio_2.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31427</id>

    <published>2009-03-24T13:11:49Z</published>
    <updated>2009-03-25T15:24:41Z</updated>

    <summary>Part OneSpring Break Fiasco!                In a dungeon-like room in the basement of McKenna, the noise of vibrant students could be heard from the entrance into the hallway.  This enthusiastic atmosphere was the result of...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Part One</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Spring Break Fiasco!        </p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">        </p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">In a dungeon-like room in the basement of McKenna, the noise of vibrant students could be heard from the entrance into the hallway.  This enthusiastic atmosphere was the result of eight Setonian staff members diligently working on the newspaper on their last day of spring break.</p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px"><span class="Apple-tab-span" style="white-space:pre">	</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Because of the timing of Seton Hill University's spring break, this issue of the Setonian suffered from lack of staff writers, photographs, and copy editors.  However, the dedication of the few dependable staff members was exemplified by freshman Becca Marrie.  With a peeling, sun-burned face, Marrie, ignored the excruciating pain from her week in Florida's radiating sun in order to ensure the Setonian was published on time.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px"><span class="Apple-tab-span" style="white-space:pre">	</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">"Becca was one of the only eight to grace us with her presence for our critically important copy-editing party for last issue," said editor Tiffany Gilbert. </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px"><span class="Apple-tab-span" style="white-space:pre">	</span> </span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Marrie mentioned that because of the minimal amount of staff participation in this issue of the Setonian, it was especially lacking in skillful writing.  Many of the copy editors agreed on that this unacceptable writing created unnecessary work for them,</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px"><span class="Apple-tab-span" style="white-space:pre">	</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">"Sometimes I just wonder how a journalism student could honestly write an article like this and expect it to get published.  It looks like a fourth grader wrote it," commented one anonymous copy editor..</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px"><span class="Apple-tab-span" style="white-space:pre">	</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Having spring break the week before the paper was set to be published caused a large amount of stress for the editors and and the students in charge of layout.  With a minimal amount of students to help, this issue of the Setonian was not quite up to the standards the staff members had set for themselves.  This is due in part to a large number of students either ignoring or not receiving the mass emails sent out by Gilbert.  Much help was needed but little was received over spring break.  Fortunately for the Setonian,at least at least a few of the staff members were dependable.  Gilbert knew she could always count on Marrie, in particular, to help her with whatever ends needed to be tied.   </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px"><span class="Apple-tab-span" style="white-space:pre">	</span></span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">"During the unfortunate absence of the entire student body over spring break, Becca answered promptly to my pleading emails to help smooth out the bumps of production," said Gilbert.</span></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a href="http://jerz.setonhill.edu/EL200/2009/03/portfolio_2_1/">Trackback</a></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Part Two</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/daunting_and_overwhelming_yet.html">My blog response to the Setonian Online mockup</a></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Part Three</p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">So far this term, I have been accumulating nutrition tips for our class project, which is creating a new Setonian Online.  These tips will be used when I post daily/weekly healthy tips for students.  I believe this innovative idea will make the Setonian Online more appealing to the student body.  </p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><br class="webkit-block-placeholder" /></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a href="http://jerz.setonhill.edu/EL200/2009/03/portfolio_2_1/">Trackback</a></p> ]]>
        
    </content>
</entry>

<entry>
    <title>The Meek and Mild Mushroom</title>
    <link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/RebeccaMarrie/2009/03/the_meek_and_mild_mushroom.html" />
    <id>tag:blogs.setonhill.edu,2009:/RebeccaMarrie//506.31382</id>

    <published>2009-03-23T13:04:44Z</published>
    <updated>2009-03-23T13:09:30Z</updated>

    <summary>&quot;We are shelves, we are tables, we are meek, we are edible.&quot; After reading this quote in the poem &quot;Mushrooms,&quot; I was rather surprised as to how the mushrooms were portrayed.  Nowhere in the poem does it mention that they...</summary>
    <author>
        <name>RebeccaMarrie</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blogs.setonhill.edu/RebeccaMarrie/">
        <![CDATA["We are shelves, we are tables, we are meek, we are edible." <div><br class="webkit-block-placeholder" /></div><div>After reading this quote in the poem "Mushrooms," I was rather surprised as to how the mushrooms were portrayed.  Nowhere in the poem does it mention that they are, as many people believe, poisoness plants.  Rather this poem simply portrays the attractive qualities of the mushrooms.  It actually seems to be written to encourage empathy for these fungi.  Why is this?</div><div><br class="webkit-block-placeholder" /></div><div><a href="http://jerz.setonhill.edu/EL267/2009/03/poetry_selections_plath_blog_b/">Trackback</a></div>]]>
        
    </content>
</entry>

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