"My goal is to stop people from talking so much about the inherent nature of these media and start them talking more about the different ways we can use them. In particular I seek to celebrate the flexibility of writing as a medium, and to show that we need to develop more control over ourselves as we write so that we can manage our writing process more judiciously and flexibly." Peter Elbow, page 151
Although I didn't quite follow this goal throughout Elbow's essay, stating it at the conclusion and rereading the text really helped this point stick out for me. There are several different means of communication available to people today more than ever. Obviously, each individual will have their own preference on which means they would use to most often communicate. But there are those who stubbornly reserve their communicative expression to a single form, and it's these people who I believe Elbow is addressing.
Communication isn't a one trick pony like it was before the ancient Greeks first devised an alphabet over 2,500 years ago. Even in the several centuries that followed, some of the most effective and respected communicators were those who could express their message both orally and in writing. Today, many people see those forms as archaic and useless. They get transfixed in the belief of the new technologies swallowing up the old and becoming not just the new but also the only way. There are others who look back at the old forms with a sense of nostalgia and will retell stories of when they thought that was high tech, only to revert back to the newest forms and endlessly sing their praises.
The best communicators today are like those of Rome and Greece some 2,000 years ago. They can utilize all mediums of communication and spread their message to many, many more people. Isn't that what communication is all about anyway? Even if only half of the people your message reaches care about what you say, the other half that do will anoint you a great communicator who is a master at spreading his ideas across all borders and boundaries. Some of the best journalists and commentators that I look up to spread their message in several formats and do so almost seven days a week. Many will have a column or news story published during the week and host a weekday television and/or radio show. Some also post their reporting and commentary on renowned websites and also decorate their pages with webcast videos to appease even more viewers.
The bottom line is today's technologies provide a litany of ways for anyone in the field of communications to not only succeed but excel. You can dominate one part of the industry but be invisible in the others and therefore never achieve more than mediocrity. That's not to say that isn't okay to shine in one medium and be modestly successful in the others. But to really stand out, you need to take full advantage of all the avenues technology has provided and tirelessly work to outclass competitors in each field.
"If you do not see your main characters there in simple subjects, stated in a few short, concrete words, you have to look for them." Williams, page 43
Character and characters are very important in life. They're also pretty important to clearly identify in sentence structure. They aren't like deer or other game that many people enjoy hunting for. When the characters crucial to the purpose of the sentence are scattered randomly throughout a sentence, then the whole thing becomes opaque and unclear. People don't want to hunt for characters in sentences and don't enjoy those characters doing nothing active in a sentence.
Seeing as characters should most often be the central meaning of sentences, they need to fall in the subject so readers can clearly distinguish their critical importance. It's also not a bad idea to make that subject simple and clear. Don't hide it somewhere in the middle of a sentence to sound more academic. Most likely it will have the opposite affect and it's just a generally annoying thing to see.
When your characters are clearly distinguished, make them do something. Passive voice can become very redundant and monotonous. Too much of it indicates laziness or a general lack of effort from the writer. Can we 'is' or 'are' anything? NO! I can run, jump, play, read, write and any other litany of active verbs. Obviously writing differs significantly from the physicality of the active verbs actually doing something in real life, and there exist plenty of instances where linking and helping verbs are necessary. Avoiding their use altogether would actually damage your writing. But too many seem to have a sad reliance on them and that's terrible for your writing.
The characters are supposed to be reflective of reality. Their actions should be actions and as much as possible be written in an active voice. Make it simple and make it smart. Put your characters right out there and make them do something. You might find your writing will be doing something with that, too; improving.
I don't like to be embarrassed in
anything. Most of my friends and acquaintances feel the same way. It's probably
a safe bet to say that 99% of everyone out there in the great land we call the
Internet would also agree.
Changes need to be made and they need to be made now. I don't have all the solutions, but I do know all the problems and know how to fix many of them. Let's not let anything like this ever happen again.
"The preacher speaks only to those who are present; the scribe preaches to those still to come. The sermon, once it is heard, vanishes into thin air; its text, if written down and read even a thousand times, does not lose its impact. The preacher's office dies with him. The scribe may have passed away long ago, but the book he copied still provides moral instruction." Trithemius, page 473
So if I'm dead, nobody will be able to hear me speak? And I was so sold on the talking to dead people thing, too. While Trithemius' point is rather obvious and simple, it demonstrates the one clear advantage that writing and manuscript holds over the spoken word.
"By the nineteenth century, many people firmly believed not only that every person's handwriting was unique, but that handwriting was 'an unfailing index of...character, moral and mental, and a criterion by which to judge of...peculiarities of taste and sentiment.'" Baron, page 58
Recent Comments
Dennis G. Jerz on Maintain a strong flow in writing, among other things: That's an excellent point, Sea
Dennis G. Jerz on I don't care who you are, that digital fraud is pretty funny: Remember, Sean, to create a li
Aja Hannah on Everyone's a character, so why isn't every sentence?: I also like making people do t
Sean Maiolo on We'll get through this, newspapers: There will always be hard copi
Tiffany Gilbert on We'll get through this, newspapers: I actually disagree with the i
Matt Takacs on do u undastan da wors tat r coming out uh my mout?: Although simplicity is better,