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<title>The Cookie Jar</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/" />
<modified>2007-02-23T02:34:49Z</modified>
<tagline>Isn&apos;t it strange how we&apos;re all burning under the same sun?</tagline>
<id>tag:blogs.setonhill.edu,2007:/SeanRunt/297</id>
<generator url="http://www.movabletype.org/" version="3.34">Movable Type</generator>
<copyright>Copyright (c) 2007, SeanRunt</copyright>
<entry>
<title>Such Happy Thoughts</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2007/02/such_happy_thou.html" />
<modified>2007-02-23T02:34:49Z</modified>
<issued>2007-02-23T02:34:27Z</issued>
<id>tag:blogs.setonhill.edu,2007:/SeanRunt/297.19797</id>
<created>2007-02-23T02:34:27Z</created>
<summary type="text/plain">Poetry Selections -- Jerz: EL150 (Intro to Literary Study)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Poetry Selections -- Jerz: EL150 (Intro to Literary Study)" href="http://blogs.setonhill.edu/DennisJerz/EL150/018130.php">Poetry Selections -- Jerz: EL150 (Intro to Literary Study)</a></p>]]>
<![CDATA[<blockquote>"I'm sure we should all be as happy as kings."</blockquote>

<p>It is amazing how optomistic all these poems were. I really didn't like any of them, probably for that reason. I'm not sure I found purpose in any. If everyone were all "happy as kings" then I'm not too sure anything would ever be done in the world. Never being satisfied is what drives people to do things, but that could a problem as well. </p>]]>
</content>
</entry>
<entry>
<title>Animal Survival</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2007/02/animal_survival.html" />
<modified>2007-02-18T16:58:37Z</modified>
<issued>2007-02-18T16:58:08Z</issued>
<id>tag:blogs.setonhill.edu,2007:/SeanRunt/297.19531</id>
<created>2007-02-18T16:58:08Z</created>
<summary type="text/plain">London, &apos;&apos;To Build a Fire&apos;&apos; -- Jerz: EL150 (Intro to Literary Study)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="London, ''To Build a Fire'' -- Jerz: EL150 (Intro to Literary Study)" href="http://blogs.setonhill.edu/DennisJerz/EL150/018172.php">London, ''To Build a Fire'' -- Jerz: EL150 (Intro to Literary Study)</a></p>]]>
<![CDATA[<blockquote>"Then it turned and trotted up the trail in the direction of the camp it knew, where were the other food-providers and fire-providers."</blockquote>

<p>This story is haunting, it reminds you that animals are sometimes more adapted to survive in the wild. That when humans travel in to such conditions that we are now in their territory. It gives you a sense of respect for the wild, and is very humbling. Humans feel like they are superior to all, Jack London always reminds us that sometimes we're not. </p>]]>
</content>
</entry>
<entry>
<title>Thank You, Juvenal</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2007/02/thank_you_juven.html" />
<modified>2007-02-02T17:35:57Z</modified>
<issued>2007-02-02T17:34:27Z</issued>
<id>tag:blogs.setonhill.edu,2007:/SeanRunt/297.19136</id>
<created>2007-02-02T17:34:27Z</created>
<summary type="text/plain">Hamilton, Essential Literary Terms (1-31) -- Jerz: EL150 (Intro to Literary Study)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Hamilton, Essential Literary Terms (1-31) -- Jerz: EL150 (Intro to Literary Study)" href="http://blogs.setonhill.edu/DennisJerz/EL150/018164.php">Hamilton, Essential Literary Terms (1-31) -- Jerz: EL150 (Intro to Literary Study)</a></p>]]>
<![CDATA[<blockquote>"Juvenalian satire...is hash and censorious, bitterly condemning vices and foibles and inciting the audience to feelings of indignation and even disgust." (p. 22)</blockquote>

<p>Satire is one of my favorite forms of literature, but after reading this chapter I realized that Juvenalian satire is my favorite form of satire. This section also reminded me of <em>Fahrenheit 451</em> by Ray Bradbury. This is an excellent book about opposing censorship and Fascist ideals. Bradbury uses this style to make you feel outrage but yet instill fear of what might become of mankind. </p>]]>
</content>
</entry>
<entry>
<title>A Good Man is Easy to Kill</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2007/02/a_good_man_is_e.html" />
<modified>2007-02-01T20:29:03Z</modified>
<issued>2007-02-01T20:27:24Z</issued>
<id>tag:blogs.setonhill.edu,2007:/SeanRunt/297.19107</id>
<created>2007-02-01T20:27:24Z</created>
<summary type="text/plain">O&apos;Connor, &apos;&apos;A Good Man is Hard to Find&apos;&apos; -- Jerz: EL150 (Intro to Literary Study)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="O'Connor, ''A Good Man is Hard to Find'' -- Jerz: EL150 (Intro to Literary Study)" href="http://blogs.setonhill.edu/DennisJerz/EL150/018162.php">O'Connor, ''A Good Man is Hard to Find'' -- Jerz: EL150 (Intro to Literary Study)</a></p>]]>
<![CDATA[<blockquote>"Listen," the grandmother almost screamed, "I know you're a good man. You don't look like you have a bit of common blood. I know you must come from good people."
p. 15</blockquote>

<p>The willingness for the grandmother to try to find the good in this man who she has just realized is an escaped criminal is incredible. This is what is interesting in O'Connor she always seems to make you know and understand the people you are supposed to hate. The grandmother realizes that they most likely won't live but yet she is trying to get to know the Misfit. Yet the Misfit and his accomplice's still go on to kill a family of basically good people. It is pretty easy to see that this family did not deserve to meet the end that they do. </p>]]>
</content>
</entry>
<entry>
<title>The &quot;Slight Thud&quot; of the Swell</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2007/01/the_slight_thud.html" />
<modified>2007-01-25T16:29:42Z</modified>
<issued>2007-01-25T04:19:37Z</issued>
<id>tag:blogs.setonhill.edu,2007:/SeanRunt/297.18816</id>
<created>2007-01-25T04:19:37Z</created>
<summary type="text/plain">Fitzgerald, &apos;&apos;Bernice Bobs Her Hair&apos;&apos; (online) -- Jerz: EL150 (Intro to Literary Study)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Fitzgerald, ''Bernice Bobs Her Hair'' (online) -- Jerz: EL150 (Intro to Literary Study)" href="http://blogs.setonhill.edu/DennisJerz/EL150/018126.php">Fitzgerald, ''Bernice Bobs Her Hair'' (online) -- Jerz: EL150 (Intro to Literary Study)</a></p>]]>
<![CDATA[<blockquote>Misty waves were passing before Bernice's eyes...</blockquote>

<p>When it comes to F. Scott Fitzgerald the talk is always about how rhythmically the story flows, especially since he wrote during and about the Jazz Age. Yet, something I noticed when I was reading "Bernice" again was that Fitzgerald begins the story describing "the waves" of the caddies&#8217; heads moving about the country club at night. Then, again, when describing the scene between Marjorie and Bernice at breakfast he describes the scene as, "Misty waves were passing before Bernice's eyes..."<br />
     I started thinking of the story as an ocean and how at the beginning "the waves" of the caddies' heads would be seen as calm even from afar and even if the caddies were moving quickly, just as the waves at night on the ocean. Then during the first conflict between Marjorie and Bernice, Fitzgerald describes "Misty waves" which I imagine to be a little higher. The waves now are growing.<br />
     Finally, at the end of the story, there is no mention of waves in the text but by now I can picture them. After Bernice returns home from bobbing her hair and is alone in her room with Marjorie, I think of this as the calm before the storm, the only pharse Bernice keeps repeating is, "Sall right," then finally the wave peaks (I picture this wave to be a Big Wave, like a 100 ft wave) when Bernice clenches her fists. Then the wave falls quickly, within 45 minutes she is packed and cutting off Marjorie's pigtail. Finally, the wave slams down hard when she throws the hair onto Warren's porch and with a slight thud, Bernice has made the loudest statement of all.</p>]]>
</content>
</entry>
<entry>
<title>The Watch Guard of Peace Time</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/the_watch_guard.html" />
<modified>2006-03-17T20:16:08Z</modified>
<issued>2006-02-28T04:02:17Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14978</id>
<created>2006-02-28T04:02:17Z</created>
<summary type="text/plain">Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014206.php">Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>"So I walked away and left him standing there in the moonlight - watching over nothing." (p. 145)</p>

<p>Jay Gatsby is one of my favorite characters of all time. The mystique of Gatsby that is there throughout chapters 1-3 and then somewhat there in 4-6 is the best part of <em>The Great Gatsby</em>. I don't think any of the decisions Gatsby makes make him less of a man. He loved Daisy with everything in him, all he wanted to do was protect her. I think Tom and Daisy are the most despicable. I still think he is the <em>Great </em> Gatsby</p>]]>
</content>
</entry>
<entry>
<title>Blogging Portfolio 1 for EL267</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/blogging_portfo.html" />
<modified>2006-03-17T20:16:05Z</modified>
<issued>2006-02-23T16:06:37Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14883</id>
<created>2006-02-23T16:06:37Z</created>
<summary type="text/plain">Coverage &quot;I&apos;m (The Great) Gatsby&quot; This blog is for chapters 1-3 of F. Scott Fitzgerald&apos;s The Great Gatsby F. Scott Fitzgerald - Master of Imagery This blog is for chapters 4-6 of F. Scott Fitzgearld&apos;s The Great Gatsby The Watch...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><u><strong>Coverage</strong></u></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/im_the_great_ga.html">"I'm (<em>The Great</em>) Gatsby"</a><br />
This blog is for chapters 1-3 of F. Scott Fitzgerald's <em>The Great Gatsby</em></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/f_scott_fitzger.html">F. Scott Fitzgerald - Master of Imagery</a><br />
This blog is for chapters 4-6 of F. Scott Fitzgearld's <em>The Great Gatsby</em></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/the_watch_guard.html">The Watch Guard of Peace Time</a><br />
This blog is for chapters 7-9 of F. Scott Fitzgerald's <em>The Great Gatsby</em></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/dear_fat_steven.html">Dear Fat Stevens</a><br />
This blog is for the section on Wallace Stevens.</p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/the_impulsive_w.html">The Impulsive World</a><br />
This blog is on Elmer L. Rice's <em>The Adding Machine</em></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/01/judith_oster_on.html">Judith Oster's "'On Desert Places'"</a><br />
This blog is about Judith Oster's essay of Robert Frost's <em>On Desert Places</em></p>

<p><u><strong>Depth</strong> </u></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/01/closed_case.html">Closed Case?</a><br />
This is about Susan Glaspell's <em>Trifles</em>, one of my favorite one act plays.</p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/my_own_america.html">My Own America</a><br />
Our book <em>Six American Poets</em> stated that William Carlos Williams connects with the younger crowd and I found that I could identify with him easily.</p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/01/frost_mending_w.html">Frost "Mending Wall" and "After Apple-Picking"</a><br />
I had never read "Mending Wall" before and I felt that I really understood it well.</p>

<p><u><strong>Interaction</strong></u></p>

<p><a href="http://blogs.setonhill.edu/MatthewHampton/2006/01/a_trifle_diffic.html#comments">Comment </a>on Matt's blog<br />
Matt always has great agenda items that result in great discussions.</p>

<p><a href="http://blogs.setonhill.edu/ShanelleKapusta/2006/02/trifles_evident.html#comments">Comment </a>on Shanelle's blog<br />
Shanelle brings up a great point on Glaspell's <em>Trifles</em>.</p>

<p><u><strong>Discussions</strong></u></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/01/closed_case.html">Closed Case?</a><br />
This blog turned out to be a great discussion on Glaspell's <em>Trifles</em></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/f_scott_fitzger.html">F. Scott Fitzgerald - Master of Imagery</a><br />
This was a great discussion on the Imagery in <em>The Great Gatsby</em></p>

<p><u><strong>Timeliness</strong></u> </p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/the_impulsive_w.html">The Impulsive World</a><br />
This is on Elmer L. Rice's <em>The Adding Machine</em>.</p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/01/judith_oster_on.html">Judith Oster "On 'Desert Places'"</a><br />
Wasn't the most insightful of blogs but was on time.</p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/02/f_scott_fitzger.html">F. Scott Fitzgerald - Master of Imagery</a><br />
I posted this two days early and ended up with a great discussion.</p>

<p><u><strong>Xenoblogging</strong></u></p>

<p><a href="http://blogs.setonhill.edu/MatthewHampton/2006/01/a_trifle_diffic.html#comments">Comment </a>on Matt's blog<br />
The great discussion that was on this blog made everyone involved understand the play better I think.</p>

<p><u><strong>Wildcard</strong></u></p>

<p><a href="http://blogs.setonhill.edu/SeanRunt/2006/01/new_age_writing.html">New Age Writing</a><br />
Reading Lehman's "The World Trade Center" sparked a thought in me.</p>]]>

</content>
</entry>
<entry>
<title>F. Scott Fitzgerald - Master of Imagery</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/f_scott_fitzger.html" />
<modified>2006-03-17T20:16:03Z</modified>
<issued>2006-02-21T21:15:15Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14852</id>
<created>2006-02-21T21:15:15Z</created>
<summary type="text/plain">Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014203.php">Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>"I was reminded of something - an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man's, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever." (111)</p>

<p>Up until the end of chapter 6 the love Gatsby has for Dasiy is only understood. The flashback (if you can call it that) that Nick tells of the two <em>shows</em> this love. It is an amazing thing to have a love that is so strong that every "important" thought is forgot. I've never read a passage in any novel, drama, or poem that has better captured that moment.</p>]]>
</content>
</entry>
<entry>
<title>&quot;I&apos;m (The Great) Gatsby&quot;</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/im_the_great_ga.html" />
<modified>2006-03-17T20:16:03Z</modified>
<issued>2006-02-20T16:05:05Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14828</id>
<created>2006-02-20T16:05:05Z</created>
<summary type="text/plain">Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014201.php">Fitzgerald, The Great Gatsby (1925) -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>"I'm Gatsby," he said suddenly.<br />
"What!" I exclaimed. "Oh, I beg your pardon." (p. 48)</p>

<p>Finally we find out who this legend of a man is. Gatsby seems to me to be what every man dreams he can be one day. Rich, powerful, and has plenty of toys (hydroplane, my personal favorite). Gatsby is a definite connoisseur of life. He is an expert of living life to the fullest. I really like this book so far.</p>]]>
</content>
</entry>
<entry>
<title>My Own America</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/my_own_america.html" />
<modified>2006-03-17T20:15:53Z</modified>
<issued>2006-02-15T14:49:11Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14744</id>
<created>2006-02-15T14:49:11Z</created>
<summary type="text/plain">William Carlos Williams -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="William Carlos Williams -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014198.php">William Carlos Williams -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>"'I felt from the earliest childhood that Ameria was the only home I could ever call my own. I felt it was expressly founded for me...'"</p>

<p>I think that this is a feeling that more and more citizens are beginning to have because many are from "mixed race" backgrounds, I know I feel the same way as Williams. I think that I know where he is coming from so I think I can understand and feel his poems more than I could Stevens. On an ending note: his mother's name is really long (Raquel Helene Rose Hobeb Williams).</p>]]>
</content>
</entry>
<entry>
<title>Dear fat Stevens</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/dear_fat_steven.html" />
<modified>2006-03-17T20:15:51Z</modified>
<issued>2006-02-14T01:11:54Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14700</id>
<created>2006-02-14T01:11:54Z</created>
<summary type="text/plain">Wallace Stevens -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Wallace Stevens -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014194.php">Wallace Stevens -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>"...though they will frustrate anyone looking for literal meanings."</p>

<p>I agree with Shanelle that I am somewhat lost reading Stevens work. I like to find some meaning in what I am reading. If there is no meaning what purpose does it have of ever being written in the first place? I enjoy Stevens poems but I really don't understand his words.</p>]]>
</content>
</entry>
<entry>
<title>The Impulsive World</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/02/the_impulsive_w.html" />
<modified>2006-03-17T20:15:45Z</modified>
<issued>2006-02-09T02:10:21Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14597</id>
<created>2006-02-09T02:10:21Z</created>
<summary type="text/plain">Rice, The Adding Machine (1923) -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Rice, The Adding Machine (1923) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014191.php">Rice, The Adding Machine (1923) -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p><strong>Zero</strong>: I wonder if I could kill the wife without anyone findin' out. In bed some night. With a pillow.</p>

<p>Zero later goes on to say, "I'd get found out though. They always have ways." This is the first time we learn of his homicidal thoughts but yet logic keeps control of his mind and he realizes that he would be caught. This shows that the decision to kill his boss is purely on impulse.</p>]]>
</content>
</entry>
<entry>
<title>Closed Case?</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/01/closed_case.html" />
<modified>2006-03-17T20:15:37Z</modified>
<issued>2006-01-31T15:57:45Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14383</id>
<created>2006-01-31T15:57:45Z</created>
<summary type="text/plain">Glaspell, &apos;&apos;Trifles&apos;&apos; (1916) -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Glaspell, ''Trifles'' (1916) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014185.php">Glaspell, ''Trifles'' (1916) -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>County Attorney: Well, ladies, have you decided whether she was going to quilt it or knot it?</p>

<p>This play is very cynical and the men have a sarcastic attitude towards the women. They think that they are superior and smarter but they do not solve the case, it is the women who figure it out. They are too busy looking for clues where clues don't exsist. The women find clues and slowly piece it together. I think that Mrs. Wright is going to get away with the murder because it is the women that figure out what happened. The women in the play have a lot of sympathy toward Mrs. Wright, especially Mrs. Hale who is upset that she hadn't gone to visit Mrs. Wright more often. It's great that Glaspell left the ending open to so much interpretation.</p>]]>
</content>
</entry>
<entry>
<title>New Age Writing</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/01/new_age_writing.html" />
<modified>2006-03-17T20:15:35Z</modified>
<issued>2006-01-31T00:35:16Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14370</id>
<created>2006-01-31T00:35:16Z</created>
<summary type="text/plain">Lehman, &apos;&apos;The World Trade Center&apos;&apos; (1996) -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Lehman, ''The World Trade Center'' (1996) -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014181.php">Lehman, ''The World Trade Center'' (1996) -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>While I was reading <em>The World Trade Center</em> by David Lehman I thought of something Dr. Jerz said last semester. He said that writers today don't need to put a lot of thought into each word they select because of computers. They can save it and edit later. It seemed as though Lehman had wrote this in one sitting, then I looked some things up on him and found out he wrote a poem a day for 160 days (I think) in a row. I think you could really tell when reading it. I enjoyed it though.</p>]]>
</content>
</entry>
<entry>
<title>Judith Oster &quot;On &apos;Desert Places&apos;&quot;</title>
<link rel="alternate" type="text/html" href="http://blogs.setonhill.edu/SeanRunt/2006/01/judith_oster_on.html" />
<modified>2006-03-17T20:15:35Z</modified>
<issued>2006-01-31T00:28:38Z</issued>
<id>tag:blogs.setonhill.edu,2006:/SeanRunt/297.14369</id>
<created>2006-01-31T00:28:38Z</created>
<summary type="text/plain">Oster [On &apos;&apos;Desert Places&apos;&apos;] -- Jerz: American Lit II (EL 267)...</summary>
<author>
<name>SeanRunt</name>

<email>run1082@setonhill.edu</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://blogs.setonhill.edu/SeanRunt/">
<![CDATA[<p><a title="Oster [On ''Desert Places''] -- Jerz: American Lit II (EL 267)" href="http://blogs.setonhill.edu/DennisJerz/EL267/014180.php">Oster [On ''Desert Places''] -- Jerz: American Lit II (EL 267)</a></p>]]>
<![CDATA[<p>"Having nothing more to say was what he assumed lay behind Hemingway's decision to commit suicide - a motive and a decision Frost defended."</p>

<p>This really made me think, to a poet speaking to the world is their entire purpose in life. So, when they run out of things to say what else is there left for them to do. Hemingway is one of my favorite writers, I never thought of him in that way.</p>]]>
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</entry>

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