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Nabokov, Pale Fire -- Jerz EL312 (Literary Criticism)

WOW. This was nothing that I was expecting to read. The way Nabokov set this up is pure genius. To write a story in witch the author seems to not be a part of the story. WOW, he pulled a Blair Witch on me. I was completely caught off guard by the story. I thought the way he wrote the Intro and commentary really sold this idea of the book. Pure genius. I'm glad I didn't skip ahead and just read the cantos, which I found completely hilarious, yet exactly what was needed to sell this story. WOW, I don't know how to explain this book but WOW.

Comments (3)

Dave Moio:

I had a similar reaction the first time I read this novel. I think Nabakov is a genius and it really shows in this work.

I really do not think that the story could be understood without reading the commentary and foreword along with the cantos. I find it difficult enough to read with them, but the way that the poem was structured, I would only describe it as absolute chaos. I read the commentary almost like a separate piece of literature, and made a relation to the four cantos that were completely in no order whatsoever. I can completely understand how people were confused, especially if they only read the cantos, without reading the foreword, or the commentary. I really believe that I get why he had us read Pale Fire on the week of intertextual criticism: the story cannot function without the poem, and the poem certainly cannot function without the commentary and foreword explaining some other meaning behind it.

Kevin:

This is the kind of work that makes you put the book down, look out a window, say "huh" to yourself, and then you go and put an end to it all because you, the literary master, had just been played for a fool.

This is the kind of text that makes you feel so inadequate, it isn't even funny. Why can't we be this original and creative?

Fie on Nabakov.

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