Perks of Being a Literary Agent

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1) You get to sell your brains out. You are going to sell that book to the editor like this is the next blockbuster. The moment you take on the author, you better believe that this book is going to be the next big thing because your job is to make the editor believe its amazing before they even read it. Truth is, your editor has to get the approval of all the bigwigs in their firm before they can even buy the manuscript. If you don't get the editor to believe in this book, there is no way its going to get the attention it deserves.

2) You get to make the editor hate you. Your job is not over once you sell the manuscript to a publisher. If you want to be good at what you do, you stick with your author till the end. You have to present questions to the editor who in turn will have to ask the bigwigs in the publishing firm these questions (yes, your editor is supposed to do more than just correct error mistakes). The more your author's book is on the bigwigs-in-marketing's minds, the more advertisement the book gets. It's basically a factory line of questions. [If they know what they're doing] The author asks questions of the agent, who in turn asks the editor, who in turn gets to ask the marketing team. The part where fiction comes in is, you have to remember the editor works for the publishing company, they do not want to make anyone angry because editors have virtually no power. All they can do is ask questions/ make suggestions to the marketing team in hopes that they will make a book that the author will be proud of. Which brings us to point two...

3) You get to be a referee. 99.9% of the time, the author will not like the cover design that is first proposed (or the second, or the third, or the...you get the idea). Let's face it, people really do judge a book by its cover. When you're in the book store, browsing (as in - you don't already have a book that you want to get in mind) you immediately go for the book with the wicked design and/or the shiny title. So as a literary agent, you have to work with the editor, running up and down the proverbial football field of the publishing industry in order to come to a compromise between the marketing team and the author. 

Call me crazy, but this sounds like fun. This is why I want to be a literary agent [insert child's voice here] when I grow up. Imagine how rewarding it would feel to help an author through the pains of publishing.

"Necessary Agent" Poets & Writers magazine July/ August 2010 

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    About this Entry

    This page contains a single entry by Stephanie Wilson published on September 12, 2010 10:38 AM.

    Kill Two Birds With One Stone was the previous entry in this blog.

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